Kurt Rosenwinkel's fourth Verve release, Deep Song, steps back from the searching electronica of Heartcore and adheres to a jazz quintet aesthetic. For the first time, Joshua Redman appears in place of Rosenwinkel's longtime tenor sax associate, Mark Turner. We also hear Brad Mehldau on piano, Larry Grenadier on bass, and Jeff Ballard and Ali Jackson taking turns at the drums.
Three new originals lead off: "The Cloister," a slow waltz with one of Rosenwinkel's dark and spectral unison melodies; "Brooklyn Sometimes," anchored by an infectious bass loop with a nu-jazz lilt; and "The Cross," a bright triple-meter piece that marks Ballard's first appearance (he's the nimble percussionist to Jackson's hard-charging swinger).
Rosenwinkel also includes three previously recorded tunes. "Synthetics" is a touch faster than before and features a vicious Redman solo; "Use of Light" begins with an irenic Mehldau solo instead of guitar atmospherics; and "The Next Step," originally played by Rosenwinkel on piano, has a bluesy, almost Blakey-esque impact this time, thanks largely to Ali Jackson. Redman overdubs two counterlines on the aching Billie Holiday vehicle "Deep Song," the disc's shortest cut.
Guitar-wise, Rosenwinkel's tone and vocabulary grow ever more distinctive. He continues to mic his voice and sing most of what he playsa sonic trademark that permeates the entire session, from the slow musings of the standard "If I Should Lose You" to the liquid lines of "Gesture (Lester)" and the elaborate, Gershwin-inspired "Cake."
Track Listing: The Cloister; Brooklyn Sometimes; The Cross; If I Should Lose You; Synthetics; Use of Light; Cake; Deep Song; Gesture; The Next Step
Personnel: Kurt Rosenwinkel: guitar, vocals, piano (2); Brad Mehldau: piano (1-7, 9, 10); Joshua Redman: tenor saxophone (1, 3-10); Larry Grenadier: bass; Jeff Ballard: drums (3-5, 8); Ali Jackson: drums (1, 2, 6, 7, 10, 11).
I love jazz because it is both challenging and exhilarating, and the endeavor of improvisation is the highest form of art.
I met so many great musicians--including my two earliest heroes, Maynard Ferguson and Dizzy Gillespie--by attending concerts
and being willing to treat them with the respect they deserve.
The best show I ever attended was the Pat Metheny/Ornette Coleman Song X concert at Cornell University.
The first jazz record I bought was an RCA compilation by Dizzy Gillespie.
My advice to new listeners is to not be afraid to listen to something because you're not familiar with the artists or the band or
the genre or anything - this is music that is best experienced through discovery.