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Daryl Hall & John Oates and Tears For Fears with special guest Allen Stone at the Prudential Center

Mike Perciaccante By

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Daryl Hall & John Oates and Tears For Fears with special guest Allen Stone
The Prudential Center
Newark, NJ
June 17, 2017

On a pleasant Saturday evening in mid-June, the Hall & Oates/Tears For Fears co-headlining tour made its way to NJ's Prudential Center. It was definitely pop and soul night in Newark.

The evening began with a dose of Pacific Northwestern soul and R&B as Allen Stone took the stage all by his lonesome accompanied by an electric guitar and the occasional tape loop. The singer, who sees himself as a "hippie with soul," is traveling light and without his band as he accompanies Hall & Oates and Tears For Fears on their North American sojourn. Stone began the evening by stating, "I'm going to play some songs for you tonight, but you're in for a treat. Tears For Fears and Hall & Oates are fantastic. I've been watching them every night from the wings and they are amazing. I'm just blown away." Stone, who was clearly elated to share the stage with the Rock 'n' Roll Hall of Famers and the legendary pop rock band, delivered a stellar short set highlighted by his performances of "Love" and "Upside Down"

Tears For Fears, the British band formed by Curt Smith (vocals and bass) and Roland Orzabal (guitar and vocals) in 1981, was initially seen as a new wave synthesizer band. Eventually the public and critics came to realize that the group was much more. The band is now seen, because of its Beatles-esque melodies, song construction and arrangements, as a rock and pop group. As part of the Second Invasion (popularized and driven by MTV), Tears For Fears found immediate success with its platinum-selling debut album, The Hurting (Mercury/Phonogram, 1983), which reached number one on the UK Albums Chart. Its second album, Songs From the Big Chair (Fontana/Mercury/Phonogram, 1985), propelled by the mega-hit singles "Everybody Wants to Rule the World," "Shout" and "Head over Heels," reached number one on the US Billboard 200. Songs From the Big Chair achieved multi-platinum status in both the UK and the US. Smith and Orzabal parted ways in 1991, following the release of their third platinum-selling album The Seeds of Love (Fontana/Mercury/Phonogram, 1989). Orzabal continued to use the Tears for Fears name throughout the '90s (with a group of mercenary musicians backing him). The duo re-formed in 2000 and released an album of new material, Everybody Loves a Happy Ending (New Door, 2004). Secret World: Live In Paris was released in 2006 on XIII Bis Records. In the ensuing years Tears For Fears has toured the world and is currently working on a new CD. During the course of its career, Tears for Fears has sold over 30 million albums worldwide.

When Tears For Fears took the stage, the mostly middle-aged crowd in the sold-out arena became almost delirious. Appearing onstage to a backdrop bathed in slowly rotating colors of light and darkness while Lorde's eerie, almost gothic dirge-like version of "Everybody Wants To Rule The World" teased the crowd for a tantalizing two minutes, Smith, Orzabal and their band took their places and paused for a moment. When the lights came up it was an engage the throttle, full speed ahead moment as the band launched into a powerful version of the song with the sweet-voiced Smith singing it as it was intended. Audience members rose to their feet and remained standing dancing, swaying and singing along with the band during the anthem (and every other song during the 13 song performance). As the final notes played, fans offered up whistles and a lengthy round of applause.

When the applause died down Smith, Orzabal and the band delivered a very poppy version of "I Have A Secret" that showed their Beatles influence by featuring a snippet ("Somebody's knockin' at the door, somebody's ringin' the bell") from Paul McCartney's "Let 'Em In." The show then continued with the very Beatles-esque "Sowing The Seeds of Love," and note-perfect pristine versions of "Advice For the Young At Heart" and "Everybody Wants a Happy Ending."

When Smith finally addressed the crowd, he said, "Hello! Thank you! Good evening, New York! It's nice of you to get here early for us...We released our first album quite a while ago. We'd like to do a few songs from our first album." He made the statement about playing in New York (even though the arena is just across the river in Newark) and the crowd didn't care. It jumped to its feet and erupted into prolonged applause.

"Change," "Mad World" and "Memories Fade" were all embraced by the audience as long lost friends. There was a mixture of nostalgia and extreme happiness as the faithful sang along with the band and thrust their arms (as though they were brandishing tomahawks) to and fro along with the beat. Smith and Orzabal's intertwined vocals were magical and magnetic. The crowd members were literally leaning forward while the band played, the palpable energy reaching the stage and being sent right back out to the rafters.

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