Support All About Jazz

All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.


I want to help
235

Bob Downes Open Music: Crossing Borders

Nic Jones By

Sign in to view read count Views
Bob Downes Open Music: Crossing Borders Here's another of Reel's exercises in twentieth century tape archaeology. Like earlier efforts, it has the practical effect of sealing another hole in the documented fabric of British jazz and improvised music from the last four decades of that century. It's highly worthwhile too, this labor of love, as on this occasion it yields a program of music every bit as inventive as that produced by bigger stars—the term is as good as meaningless in the circumstances—of the day. Recorded at the end of the '70s, this music is both timeless and symbolic of moments in time when the players came together informally to tease the music from out of the ether.

Although primarily a flautist, it's the pieces that document Downes on alto or tenor sax that are the most compelling. His alto sound on "Sad Senorita" is significantly textural, and has an edge both grainy and acerbic. In the company of the underrated Brian Godding on guitar it does a dance at once lively yet downbeat in emulation of the title. Drummer John Stevens, in marked contrast to his work with the Spontaneous Music Ensemble, shows how propulsive he could be in a relatively more orthodox setting, while the basses of Barry Guy and Mark Meggido conspire never to get in each others' way, lending impetus to the music's open feel.

Downes plays both alto and tenor sax on the opening "Jungle Chase," in addition to flute and the Columbian pan flute he opens the piece on. His facility as a flautist is brought home. His rounded, full-bodied tone is never reduced to mere piping and the effect is that of a wholehearted improviser working the moment as though it's the most precious thing. The impression is reinforced when he switches to alto sax about nine minutes in, with Guy again on bass tracking developments.

Trombonist Paul Rutherford crops up on "Basking In The Sun," a piece which is the embodiment of propulsive atmosphere. Downes' flute is at its most lyrical and the music coalesces in a manner that soundtracks the activity of the title most effectively. Rutherford, at his most necessarily conventional, reminds us of how lovely his tone was. The relative brevity of the piece is fine in itself, an example of open music in the most rewarding sense of the term.


Track Listing: Jungle Chase; South American Indian; Sad Senorita; Che Guevera; Basking In The Sun.

Personnel: Bob Downes: alto sax (1, 3), tenor sax (1), flute (1, 4, 5), Columbian pan flute (1), Bahian cowbells (1), bass flute (2), vocals (1, 2, 4); Paul Rutherford: trombone (5); Brian Godding: electric guitar (3-5); Barry Guy: bass (1, 3, 4); Mark Megiddo: bass (3, 4); Paul Bridge: bass (5); Denis Smith: drums (1, 5); John Stevens: drums (3, 4).

Year Released: 2009 | Record Label: Reel Recordings | Style: Modern Jazz


CD/LP/Track Review
Read more articles
Crossing Borders
Crossing Borders
Reel Recordings
2009
buy
[no cover]
Flashback
Atlantic Jazz
2009
buy
[no cover]
Episodes At 4 AM
Atlantic Jazz
1974
buy
[no cover]
Diversions
Atlantic Jazz
1971
buy
[no cover]
Electric City
Atlantic Jazz
1970
buy
Weather Report Weather Report
band/orchestra
Brian Blade Brian Blade
drums
Bill Bruford Bill Bruford
drums
Soft Machine Soft Machine
band/orchestra
Oz Noy Oz Noy
guitar
Jimmy Herring Jimmy Herring
guitar
Arild Andersen Arild Andersen
bass, acoustic
Bob Berg Bob Berg
saxophone

More Articles

Post a comment

comments powered by Disqus

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.