Support All About Jazz

All About Jazz needs your help and we have a deal. Pay $20 and we'll hide those six pesky Google ads that appear on every page, plus this box and the slideout box on the right for a full year! You'll also fund website expansion.


I want to help
5

Jason Kao Hwang: Burning Bridge

Glenn Astarita By

Sign in to view read count Views
Jason Kao Hwang: Burning Bridge Featuring the members of his quartet EDGE, violinist Jason Kao Hwang slashes through preconceived perimeters and bridges a cultural gap via his thoroughly modern vision on this concentrated effort, sparking innovation from a 360-degree stance. The complex premise for these intersecting works emanates from the passing of his mother, his Chinese heritage and life's experiences, all amalgamated into an album that breathes life anew.

Dissonance and unorthodox phrasings opaquely coalesce with Hwang's thick staccato phrasings and sophisticated risk-taking approach, where solemn strings and horns passages segue into avant-like expansionism. The moving parts ring in an air of anticipation amid drawling choruses, semi-structured detours and oriental overtones, largely due to Wang Guowei's use of the erhu, a Chinese bowed, two-stringed instrument. This musical facet is complemented by Sun Li's four-stringed pipa performances, resulting in an ensemble that portrays a world without borders. Timber and episodic theme-building are sometimes offset by Ken Filiano's arcing bass lines, as the band occasionally executes its course with bottom-up engineering mechanisms. And various movements are punctuated with jazzy blues motifs and other patterns that denote a medium-tempo roller coaster ride.

"Worship, Whirling" surfaces as a feverish religious ceremony of sorts as drummer Andrew Drury bashes his kit early on, perhaps exorcising the demons, followed by lissome interludes and sounds of the Orient. Here, a sense of wonderment prevails, but trombonist Steve Swell elevates the pitch with his brash and wily solo, establishing a new path for the soloists' fluid developments, teeming with congenial mayhem, pathos, and melodic undertones. The band often shifts the tide and toggles between introspective panoramas, off-center cadences and emotive free flights. Hwang also injects the microtonal component into the mix to produce a vibe based on self-interrogation.

The program boasts a procession of cutting-edge frameworks, abetted by Hwang's trickling and angular voicings, with tubaist Joseph Daley frequently injecting massive doses of power into key spots through his passionate dialogues with the frontline. Burning Bridge is a monumental endeavor, foretelling that often unattainable synchronization within modern era avant-garde vistas where calamity, harmonious accord, and mind-altering improvisation seem to be in alignment with the heavens.


Track Listing: Ashes, Essence; Worship, Whirling; Fiery, Far Away; Incense, In Sense; Ocean, O Sun.

Personnel: Jason Kao Hwang: composer, violin; Taylor Ho Bynum: cornet, flugelhorn; Joseph Daley: tuba; Andrew Drury: drum set; Ken Filiano: string bass; Sun Li: pipa; Steve Swell: trombone; Wang Guowei: erhu.

Year Released: 2012 | Record Label: Innova Recordings | Style: Modern Jazz


Shop For Jazz

Live Reviews
CD/LP/Track Review
Read more articles
Zilzal
Zilzal
Innova Recordings
2014
buy
Burning Bridge
Burning Bridge
Innova Recordings
2013
buy
Burning Bridge
Burning Bridge
Innova Recordings
2012
buy
Crossroads Unseen
Crossroads Unseen
Euonymus Records
2011
buy
Stories Before Within
Stories Before Within
Innova Recordings
2008
buy
Local Lingo
Local Lingo
Euonymus Records
2007
buy
Albert Ayler Albert Ayler
sax, tenor
Steve Lacy Steve Lacy
sax, soprano
Henry Grimes Henry Grimes
bass, acoustic
Hamid Drake Hamid Drake
percussion
Oliver Lake Oliver Lake
saxophone
Fay Victor Fay Victor
vocalist
Billy Bang Billy Bang
violin
Fred Frith Fred Frith
guitar

Post a comment

comments powered by Disqus

Join the staff. Writers Wanted!

Develop a column, write album reviews, cover live shows, or conduct interviews.