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Etta James has been one of the foremost R & B and blues singer this country has produced. She has also demonstrated on many occasions that she can easily bring her hard charging style successfully to standards and traditional pop tunes, especially those to which she readily adapts her special singing style. Over the years, the voice has coarsened and the delivery mellowed a bit. But she can still hit you with that pain and anguish that have characterized her performance since she started working in Doo-Wop and R & B in 1955. This pain and anguish isn't some affectation, it comes from a life which has had more than a share of tragedy. This, her new release, is another set of standard, classic and R & B. One of the prime examples of the latter "This Bitter Earth" was popularized by Dinah Washington and then later picked up by Aretha Franklin and made part of her repertoire.
James is joined on this album by a sterling group of veteran jazz men. The constant is the rhythm section of the inimitable Cedar Walton on piano, bassist Tony Dumas, Ralph Pendland on drums and the fine work of Josh Sklair on guitar. James works with them on "Blue Gardenia", where she is joined by her mother. For most tracks, a horn section is added which includes Red Holloway, George Bohannon and Ronnie Buttacavoli. The larger group shows up on such cuts as "In My Solitude" which features one of Holloway's patented soulful tenor solos. The horn section sounds somewhat distant which raises the question of whether they were added after James cut the album with her rhythm section. While the bulk of the tunes are ballad standards, James takes the listener back to her roots with "Don't Let the Sun Catch You Crying".
James may have slowed a bit when it comes to technical skills. But the fervency, the soul and the passion not only are still there, but have grown keener with age. This is an album of more than an hour of from the heart singing by one of the great ones and is recommended.
Track Listing: This Bitter Earth; He's Funny That Way; In My Solitude; There Is no Greater Love; Don't Let the Sun Catch You Crying; Love Letters; These Foolish Things; Come Rain or Come Shine; Don't Worry `Bout Me; Cry Me a River; Don't Blame Me; My Man; Blue Gardenia*
Personnel: Etta James, Dorothy Leatherwood* - Vocals; Josh Sklair - Guitar; Cedar Walton - Piano; Tony Dumas - Bass; Ralph Pendland - Drums; Red Holloway - Tenor Sax; George Bohannon - Trombone; Ronnie Buttacavoli - Trumpet
I love jazz because anything is possible; it has few rules and the best jazz breaks those ones. I prefer free improv because it doesn't really have any rules at all.
I was first exposed to jazz in my teens (in the late sixties).
The first jazz record I bought was Filles de Kilimanjaro by Miles Davis, shortly followed by Extrapolation by John McLaughlin.
My advice to new listeners is to listen as widely as possible and not to make snap judgments--stick with it.