215

Bobby Sanabria: Big Band Urban Folktales

By

Sign in to view read count
Bobby Sanabria: Big Band Urban Folktales At some point in their artistic development, every Latin Jazz musician studies the genre's forefathers, including Dizzy Gillespie, Machito (Francisco Raúl Gutiérrez Grillo) and Tito Puente. After the study ends, the musician must decide to approach tradition as a museum curator or an active experimenter. The museum curator creates replications of "classic material, closely imitating the original works. This requires extensive technical skill, but it limits creativity to the given model. The active experimenter fuses past musical concepts with new ideas, creating an original product rooted in history. Percussionist and drummer Bobby Sanabria clearly takes on the role of active experimenter on Big Band Urban Folktales.

Sanabria's band applies an astounding array of rhythm section feels and arranging techniques in daring directions. "El Lider moves jazz harmonies through a Puerto Rican bomba and then into a funkier version with a disco rhythm on the drum kit. The rhythm section travels through a bolero, samba, and jazz waltz on "O Som Do Sol, pulled together by the piece's melodic invention. The regular use of clapping, shouting, and band vocals brings out a Mingus feel to many of the songs. Sanabria even introduces progressive rock into the Latin jazz world with a version of Frank Zappa's "The Grand Wazoo. This unexpected song thrives as it explores a bembe rhythm, rumba Guaguanco, blues shuffle, and even some free improvisation. The music delves into a variety of styles, reflecting the band's impressive artistic depth.

Innovative arrangements are the starting points for these musicians, as they consistently deliver inspired performances. Dueling trumpets battle through a comparsa rhythm on "El Aché De Sanabria En Moderación eventually evolving into a bembe rhythm for Peter Brainin's searing soprano sax solo. Vocalist Chareneé Wade boldly creates one of the highlights with her version of "Since I Fell For You. She sings through a bolero with the emotional strength of a classic jazz vocalist, and then when the band breaks out a cha-cha-chá vamp, Wade scats with a soul that would make Ella Fitzgerald proud. Sanabria displays a diverse musicianship on "Blues for Booty Shakers with an inventive vibes solo over a standard blues swing. The band performs with variance and professionalism that constantly conveys excitement and surprise.

Big Band Urban Folktales reflects Sanabria's understanding of upholding tradition through risk and experimentation. That was the soul of the forefathers— Gillespie, Puente, and Machito—who attempted to bring different musical heritages together into something unique. That set them apart from their contemporaries, and in turn, that bravado creates an individual voice for Sanabria's Big Band. This recording has more in common with the legends than many of the stale tributes that have come before. It sets the bar higher through Sanabria's integrity, knowledge, and experimentation—and it adds one more important listen for musicians considering their artistic identity.


Track Listing: 57th St. Mambo; Pink; Since I Fell For You; D Train; El Lider; El Ache De Sanabria En Moderacion; Besame Mucho; The Crab; O Som Do Sol; Blues For Booty Shakers; The Grand Wazoo; Obrigado Mestre.

Personnel: Bobby Sanabria: musical director, drumset, timbalitos, bat, marimba, vibes, vocals; Alex Hernndez: acoustic bass, kazoo, vocals; Yeissonn Vilamar: piano, kazoo, vocals; Giancarlos Anderson: bong, cenceroo, kazoo, vocals; Cristian Rivera: congas, kazoo, vocals; Obanil Allende: primo & buleador bomba barrel; Kevin Bryan: trumpet, kazoo; Shareef Clayton: trumpet, kazoo; Justin Davis: trumpet, kazoo; Andre Neesley: trumpet, kazoo; Michael Phillip Mossman: trumpet, kazoo; Joe Fiedler: trombone, kazoo; Dave Miller: trombone, kazoo; Tim Sessions: trombone, kazoo; Chris Washburne: trombone, kazoo; David De Jesus: reeds, kazoo; Bill Bixler; reeds, kazoo; Peter Brainin: reeds, kazoo; Jeff Lederer: reeds, kazoo; Ricardo Pons: reeds, kazoo; Charene Wade: vocals; Hiram "El Pavo" Remn: vocals.

Year Released: 2007 | Record Label: Jazzheads | Style: Latin/World


Shop

More Articles

Read Over the Rainbow CD/LP/Track Review Over the Rainbow
by Paul Rauch
Published: February 24, 2017
Read Before The Silence CD/LP/Track Review Before The Silence
by John Sharpe
Published: February 24, 2017
Read Masters Legacy Series, Volume 1 CD/LP/Track Review Masters Legacy Series, Volume 1
by Edward Blanco
Published: February 24, 2017
Read Backlog CD/LP/Track Review Backlog
by Mark F. Turner
Published: February 24, 2017
Read Process And Reality CD/LP/Track Review Process And Reality
by Mark Corroto
Published: February 24, 2017
Read The Picasso Zone CD/LP/Track Review The Picasso Zone
by Franz A. Matzner
Published: February 23, 2017
Read "Flow" CD/LP/Track Review Flow
by Karl Ackermann
Published: August 2, 2016
Read "Unspoken" CD/LP/Track Review Unspoken
by Andrew Luhn
Published: October 9, 2016
Read "Time on My Hands" CD/LP/Track Review Time on My Hands
by Jack Bowers
Published: December 10, 2016
Read "Enter the PlusTet" CD/LP/Track Review Enter the PlusTet
by Troy Collins
Published: October 23, 2016
Read "Musings" CD/LP/Track Review Musings
by Budd Kopman
Published: June 22, 2016
Read "Perch Hen Brock & Rain/Live @ The Jazz Happening Tampere" CD/LP/Track Review Perch Hen Brock & Rain/Live @ The Jazz Happening Tampere
by Mark Corroto
Published: August 20, 2016

Post a comment

comments powered by Disqus

Sponsor: ECM Records | BUY NOW  

Support our sponsor

Support All About Jazz's Future

We need your help and we have a deal. Contribute $20 and we'll hide the six Google ads that appear on every page for a full year!

Buy it!