This landmark set superbly documents the wide ranging talents of one of Cuba's greatest artistsexpatriate pianist/composer/arranger Bebo Valdésin the company of an impressive cast of New York's finest Latin jazz instrumentalists. The first disc, Suite Cubana
, features the pianist, father of the more famous Chucho Valdés, leading an all-star big band through a collection of original compositions that revisit the classic sound of the golden age of Cuban music in a variety of infectious rhythms (mambo, bembé, son, guaracha, guajira, montuno, batanga, and comparsa) laid down by Valdés, Edgardo Miranda, John Benitez, Dafnis Prieto, Milton Cardona, Joe Gonzalez, and Rickard Valdés.
The melodies are memorable and the arrangements smooth and sophisticated. While there is a judicious amount of space allotted for the impressive soloists, including Paquito D'Rivera, Bobby Porcelli, Mario Rivera, Bobby Franceschini, and Pablo Calogero (saxophones); Diego Urcola, Ray Vega, and Mike Mossman (trumpets); and Papo Vazquéz, Luis Bonilla, and Juan Pablo Torres (trombones), the cohesive sound of the band is what makes the music such a great pleasure to hear.
The set's second disc, El Solar de Bebo, is an old-fashioned descarga (jam session) recalling the date Valdés led for producer Norman Granz in Cuba in 1952. The pianist is again joined by Miranda, Cardona, and Joe Gonzalezthis time with bassist Andy Gonzalez, drummer Steve Berrios, and timbalero Jimmy Delgado filling out the rhythm section. D'Rivera (on alto, soprano, and clarinet), Torres and Urcola are plucked from their respective horn sections, reuniting the front line from Bebo Rides Again.
The spotlight here is on the soloists (including Valdés the pianist) and the imposing percussion section, but the leader's compositions also shine, particularly the three beautiful ballads "Rose Marie, "A Mayra, and "Miriam, written for his wife and two daughters. The other selections swing tastily, including the guaguancó title track, the danza "El Quitr'on, and the descargas "Kabul and Lorenzo, "La Mula, "Da Baracutey, and "El Guajeo de Rickard, the latter dedicated to the leader's timbalero son, who appears on the track.
The bonus third disc, Cuadernos de Nueva York, is a twenty-plus minute DVD detailing Valdés' trip to the US and the making of these recordings. The documentary's subtitles (like the lavish 56-page booklet) are translated into English from the original edition's Spanish, offering an enjoyable glimpse of the affable artist, for American audiences.
Track Listing: Är Ni Fröken Perhrson? (Intro); Cachao, Creador del Mambo; Devoción; El Son de Cecilio;
Ecuación; Copla No. 4; Nocturno en Batanga; Är Ni Fröken Pehrson? (Comparsa); El Solar
de Bebo; Kabul y Lorenzo [Jam]; A Mayra; El Quitron (Haciendo Patria); La Mula [Jam];
Iballah; Rose Marie; De Baracutey [Jam]; Miriam; El Guajeo de Rickard [Jam]; Cuadernos de
Nueva York DVD [22:20].
Personnel: Bebo Valdés: piano, arranger, conductor; Raul Agraz: trumpet; John Benitez: bass; Steve
Berrios: drums, timbales; Luis Bonilla: trombone; Pablo Calogero: baritone saxophone;
Milton Cardona: conga, chekere; Jimmy Delgado: timbales; Paquito D'Rivera: clarinet, alto,
soprano saxophone; Bob Franceschini: tenor saxophone; Andy Gonzalez: acoustic Bass;
Joe Gonzalez: bongos, Guiro; Edgardo Miranda: acoustic, electric, tres guitar; Michael
Mossman: trumpet; Bobby Porcelli: alto saxophone; Dafnis Prieto: drums; Douglas
Purviance: trombone; Mario Rivera: tenor saxophone; Juan Pablo Torres: trombone; Diego
Urcola: trumpet; Rickard Valdés: timbales; Papo Vazquez: trombone; Ray Vega: trumpet;
John Walsh: trumpet.
Year Released: 2005
| Record Label: Calle 54 Records
| Style: Latin/World