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Leave it to one of the most swinging big bands of its time to make a silk purse out of a cow’s ear. Visiting themes from James Bond movies, arrangers Chico O’Farrill and George Williams craft hip and bristling versions of what might appear to be less than complimentary pieces for jazz exploration. But then O’Farrill was a master writer and he proved that this Bond thing wasn’t just a fluke when a year later in 1966 he helped to develop the catchy Basie's Beatles Bag.
With its low sputtering bones and lively cowbell taps, “Kingston Calypso” is typical of the transformation with strains of “Three Blind Mice” worked in just for fun. “Dr. No’s Fantasy” gets things blaring from the git-go as drummer Sonny Payne’s swaggering backbeat pushes further and further, Basie injecting those sparse few notes here and there with characteristic élan. And those are just two highlights among many, not to mention the boisterous and characteristic statements of tenor man Eddie “Lockjaw” Davis.
Originally issued on the United Artists label, Basie Meets Bond can be recommended without reservation despite what might seem like the misguided intentions of some marketing exec.
Track Listing: 007, The Golden Horn, Girl Trouble, Kingston Calypso, Goldfinger, Thunderball, From Russia With Love, Dr. No's Fantasy, Underneath The Mango Tree, The James Bond Theme, Dr. No's Fantasy (First Version)
Personnel: Count Basie (piano); Al Aarons, Sonny Cohn, Wallace Davenport, Phil Guilbeau (trumpets); Henderson Chambers, Al Grey, Grover Mitchell (trombones); Bill Hughes (bass trombone); Marshall Royal (alto saxophone); Bobby Plater (alto saxophone & flute); Eric Dixon (tenor saxophone & flute); Eddie "Lockjaw" Davis (tenor saxophone);Charlie Fowlkes (baritone saxophone & bass clarinet); Freddie Green (guitar); Norman Keenen(bass); Sonny Page (drums)
The best show I ever attended was going with my father to see Dizzy Gillespie play at the Royal Festival Hall in London, England. Dizzy was a man full of charisma and play. He managed to get four different sections of the audience to sing four different vocal parts in one song
The best show I ever attended was going with my father to see Dizzy Gillespie play at the Royal Festival Hall in London, England. Dizzy was a man full of charisma and play. He managed to get four different sections of the audience to sing four different vocal parts in one song. He captured everyone's attention and got us all up on our feet dancing alongside him to this incredible music we call jazz.