Lea's music could very well be described as Latin jazz 'while acknowledging the obvious limitations all identifying labels suffer from' and he seems to prefer Hispanic players, would he offer any comments in that regard? Indeed he does, as he says, 'I don't know if it can be said that I 'prefer Hispanic players.' I think that it has just worked out this way because of my love for Afro Caribbean music. Mario Rivera and John Ben'tez wound up on my recording because of Suzi Reynolds and Frank Lacy. It was my first time meeting them. I was thrilled when I found out they were going to record with me. Originally, Craig Handy and Alex Blake were scheduled to make the gig but due to unforeseen circumstances, it never became a reality. Hooking up with John Ben'tez was like finding my long lost rhythmical brother. His influences are Latin jazz and my influences are jazz Latin. Same with Hilton, he always says to me 'Babatunde, I was taught by the Black Masters.' Hilton's Latin Jazz and Salsa roots reads like a Who's Who of Latin music. He is a one of a kind musician because of the two worlds he has straddled. I believe that Hilton and I meet in the middle of the Afro-Caribbean-Jazz, Jazz-Afro-Caribbean continuum. Because of our collective experiences we are creating now an innovative style of music for which I believe we are destined.'
Finally, Lea concludes by sharing his comments on how he keeps himself fit for musical duty. What kind of particular practice regimen and listening discipline does he adhere to, if any? 'I practice constantly, because I feel as a late bloomer always playing catch up. I have been playing congas since I was 13 and started the traps when I was 20, back in 1968. I now play congas and trap drums at the same time so I am practicing those two all the time. I have a very eclectic taste in music. I listen to 'and purchase' whatever catches my ear. I try to eat right, walk a lot and spend time with my wife Dr. Virginia Lea. I also invest time with my three daughters Lichelli, Tanya and Mayana. Family keeps me centered, rooted, grounded and relatively sane. I am a truly blessed man.'
Rhythm Abstraction: Azure is the first volume of new compositions created as a follow up to 2018’s
release Rhythm Kaleidoscope. As with that release, Brock Avery improvised drum and percussion
solos. Frank Macchia then composed music for woodwinds and orchestra to Brock’s creations. Azure
is the first of three extended play albums of 6-7 compositions which will be released starting in
January and followed up in April and July. In Azure we have a created a group of pieces that continue
our quest for honoring the art of improvisation with a “stream-of-consciousness” sense of
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