Home » Jazz Articles » Wayne Wallace
Jazz Articles about Wayne Wallace
Wayne Wallace Latin Jazz Quintet: To Hear From There
by Bridget A. Arnwine
Trombonist/composer Wayne Wallace and his music could probably be characterized by any number of clichéd phrases, but why use a cliché when the truth will do. The truth is that Wayne Wallace's To Hear From There is a far better record than its Grammy-nominated predecessor, ¡Bien Bien! (Patois, 2009), and that's saying a lot. Wallace's greatest gift to the music on To Hear From There is that he approaches it respectfully. Wallace, an American man of African ancestry, performs Latin ...
read moreWayne Wallace Latin Jazz Quintet: To Hear From There
by Raul d'Gama Rose
Trombonist Wayne Wallace is one of the most melodic players on his instrument. And although he might inhabit a somewhat narrow range--eschewing the very high register--he is also one of today's most expressive trombonists. His husky tone is one of a kind and gives his playing tremendous character. Moreover, he is one of the few players who comfortable in virtually every idiom, and this is something unique as it enables him to extend his playing with subtle changes in rhythmic ...
read moreWayne Wallace: The Thrill of the Grammys
by Wayne Wallace
I have had the honor of performing on four Grammy-nominated recordings. Mister E, by Pete Escovedo, S.F. Bay, by the Machete Ensemble, Then Some, by Steve Berrios, and Far East Suite, by Anthony Brown and the Asian American Orchestra. This was my second time being a part of a Grammy presentation, but my first as the leader of a nominated project, let alone as a presenter for the Pre-Telecast Awards ceremony. I arrived at LAX on Saturday ...
read moreWayne Wallace Latin Jazz Quintet: To Hear From There
by Bruce Lindsay
Trombonist and composer Wayne Wallace knows how to have fun, and on the delightfully upbeat To Hear From There his Latin Jazz Quintet makes that fun leap out of the speakers. The group--Grammy-nominated for 2009's ¡Bien Bien! (Patois Records)--is energetic and exceptionally tight. Wallace leads this fine and funky band through a selection of tunes that combine Latin, African and West Coast styles to create a mix of tunes that swings and grooves from start to finish. ...
read moreWayne Wallace: To Hear From There
by Wilbert Sostre
Wayne Wallace continues to explore the infectious Afro-Cuban rhythms on To Here From There, the follow-up to his 2010 Grammy-nominated album, Bien Bien! (Patois Record, 2009).Wallace is a trombonist with vast experience that includes collaborations with artists such as Count Basie, Joe Henderson, Lionel Hampton, Sonny Rollins and Tito Puente. Wallace Latin Jazz Quintet plays like they were born in Cuba.The danceable La Escuela" with its piano montuno and the distinctive clave of the Cuban son ...
read moreWayne Wallace: To Hear From There
by Hrayr Attarian
San Francisco-area trombonist Wayne Wallace is known for his Grammy-nominated forays into Afro-Cuban music, and on the surface, To Hear From There is another Latin jazz album. But mixed with the danceable, percussion-heavy rhythms and exuberant melodies, with a touch of melancholy, are complex, improvised solos that would delight even a jazz purist. The improvised give-and-take between pianist Murray Low and percussionist Michael Spiro, at the beginning of Tito Puente's classic Philadelphia Mambo," is as angular and ...
read moreWayne Wallace Latin Jazz Quintet: ¡Bien Bien!
by AAJ Italy Staff
È conosciuto come The Doctor," Wayne Wallace. È trombonista, compositore, arrangiatore e produttore. Il musicista di San Francisco ha collaborato nel passato con i più diversi musicisti (da Count Basie a Sonny Rollins, da Aretha Franklin agli Earth, Wind & Fire). Da quando ha messo su una vera e propria band (i Latin Jazz Quintet) ha tirato fuori un paio di CD niente male: The Nature of the Beat e Infinity che ha guadagnato diversi premi e ha ottenuto anche ...
read more