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Jazz Articles about Warren Wolf

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Album Review

Brandon Sanders: Lasting Impression

Read "Lasting Impression" reviewed by Pierre Giroux


Brandon Sanders' 2025 release, Lasting Impression, is a heartfelt reaffirmation of the core values that have shaped jazz drumming for generations. Instead of chasing novelty for its own sake, Sanders grounds the album in straightforward clarity that honours the legacy of those countless craftsmen who viewed swing as a personal responsibility. From the opening bars, he demonstrates he is a drummer dedicated to supporting the ensemble and allowing the music to breathe. The stellar band, assembled for this purpose, includes ...

4
Album Review

Mauricio Morales and Adam Hersh: Between Dreams and Twilight

Read "Between Dreams and Twilight" reviewed by Neil Duggan


Between Dreams and Twilight marks the first joint collaboration between Mauricio Morales and Adam Hersh. The pair became friends when Hersh gave Morales a lift home from the Continental Club in Los Angeles. Their album features nine pieces: three written by bassist Morales, three by pianist Hersh and three co-written. The duo keep excellent company; they are joined by vibraphonist Warren Wolf, guitarist Mike Moreno and drummer Gary Novak. The album also features the L.A.-based Rogue Lemon String Quartet. These are all musicians ...

17
Album Review

Loren Schoenberg and His Jazz Orchestra: So Many Memories

Read "So Many Memories" reviewed by Jack Bowers


Jazz polymath Loren Schoenberg reverses the hands of time on So Many Memories, unveiling sixteen never-before- recorded charts written by the renowned melodist Eddie Sauter in the late 1930s for the Red Norvo-Mildred Bailey Orchestra. To paint his canvas, Schoenberg enlisted students and recent graduates of New York's Juilliard School of Music to be his orchestra, with guest artist Warren Wolf sitting in on xylophone for Norvo, the jazz world's acknowledged master of that instrument before he moved later in ...

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Radio & Podcasts

Lionel Hampton, Terry Gibbs, Bobby Hutcherson & Warren Wolf

Read "Lionel Hampton, Terry Gibbs, Bobby Hutcherson & Warren Wolf" reviewed by Joe Dimino


On this special Christmas Day episode of Neon Jazz, we're unwrapping an hour dedicated to the true masters of the vibraphone--those incredible artists who made this instrument sing like no other. This celebration was sparked by an unforgettable performance by the brilliant Warren Wolf at The Blue Room, nestled in the historic 18th and Vine district of Kansas City, MO. We kick things off with Warren Wolf's “Saturn's Child" from his 2024 masterpiece History of the Vibraphone. From there, the ...

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Album Review

Christian Sands: Embracing Dawn

Read "Embracing Dawn" reviewed by Mike Jurkovic


Way back in the mottled history of the 1950s and '60s, record biz guys in sharkskin might kick down a DJ's door and bark: “You gotta to hear this single!" But who truly listens to and what exactly is a single these days? Add in the disturbing though elusive truth that any single can take any physical or temporal shape and the evidence just points to one thing: First impressions have doomed many a pundit. If ...

2
Album Review

Warren Wolf: History Of The Vibraphone

Read "History Of The Vibraphone" reviewed by Pierre Giroux


The History of the Vibraphone is a “tour de horizon" of the instrument and an exploration of its evolution in jazz. Joining Wolf in this meticulous selection of pieces from legendary jazz artists are long-time bandmates saxophonist Tim Green, pianist Alex Brown, bassist Vicente Archerand drummer Carroll Dashiell III. Accordingly, Wolf has crafted a collection that celebrates his virtuosic vibraphone skills and honours those who have paved the way for modern players. The opening track is ...

8
Album Review

Funkwrench Blues: Soundtrack For A Film Without Pictures

Read "Soundtrack For A Film Without Pictures" reviewed by Chris May


Once upon a time it was hard to walk into an arthouse cinema without bumping into a jazz soundtrack. Miles Davis' for Louis Malle's Ascenseur Pour L'échafaud (1958), Charles Mingus' for John Cassavetes' Shadows (1959), Krzysztof Komeda's for Roman Polanski's Knife In The Water (1962) were among a legion of similarly inclined endeavours. But all that was a long time ago in a galaxy far, far away. In the 2020s, if you want to hear a freshly ...


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