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Jazz Articles about Victor Prieto

130
Album Review

Victor Prieto: Persistencia

Read "Persistencia" reviewed by Dan McClenaghan


The accordion seems to be gaining favor in the jazz world--just think of Gary Versace's beautiful playing on the title cut of Maria Schneider's masterpiece, Concert in the Garden, in an orchestral setting. Victor Prieto goes with a pared-down approach on Persistencia, placing the squeezebox out in front of bass (Carlo DeRosa) and drums (Allison Miller).Originally from Galicia, Spain, the New York-based Prieto offers up his own personal vision of accordion playing with Persistencia. It's a sweet sound, ...

268
Album Review

Victor Prieto: Persistencia

Read "Persistencia" reviewed by Mark F. Turner


There is a strange beauty in the accordion, a most unusual musical instrument. From polka to tango, the accordion has a sound that is instantly recognizable. It has surfaced more in popular music and jazz-influenced recordings, like Richard Galliano's Ruby, My Dear (Dreyfus, 2005). Victor Prieto now makes a most compelling case for the accordion as a primary jazz instrument on Persistencia. Born in Spain and now living in New York, Prieto, who has extensive academic studies ...

115
Album Review

Victor Prieto: Persistencia

Read "Persistencia" reviewed by Michael P. Gladstone


The resurgence of the accordion during the past decade, in jazz in particular, seems almost to rival the instrument's popularity during the 1950s, with mainstream artists like Art Van Damme and Angelo Di Pippo actually selling records. In the post-Millennium era, that torch is being kept alive by France's Richard Galliano, who has shown his affinity for bebop and the occasional tango in a jazz setting on his many Dreyfus Jazz albums--and, of course, the influential tango work of Astor ...


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