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About Vicente Archer

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Album Review

Orrin Evans and the Captain Black Big Band: Walk A Mile In My Shoe

Read "Walk A Mile In My Shoe" reviewed by Angelo Leonardi

by Angelo Leonardi

Il nuovo disco di Orrin Evans e della sua Captain Black Big Band ci ricorda l'importanza delle radici per la comunità musicale afroamericana: il gospel, il blues, le big band, i cantanti e strumentisti storici. Una risorsa che è anche identità collettiva e forza culturale. Come ha sempre fatto in passato, il pianista e bandleader di Philadelphia s'ispira alla tradizione per rinnovarla e arricchirla, con passione e freschezza. Stavolta le orchestrazioni sono funzionali alle interpretazioni di quattro prodigiosi ...

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2

Album Review

Warren Wolf: History Of The Vibraphone

Read "History Of The Vibraphone" reviewed by Pierre Giroux

by Pierre Giroux

The History of the Vibraphone is a “tour de horizon" of the instrument and an exploration of its evolution in jazz. Joining Wolf in this meticulous selection of pieces from legendary jazz artists are long-time bandmates saxophonist Tim Green, pianist Alex Brown, bassist Vicente Archerand drummer Carroll Dashiell III. Accordingly, Wolf has crafted a collection that celebrates his virtuosic vibraphone skills and honours those who have paved the way for modern players. The opening track is ...

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Album Review

John Scofield: Uncle John's Band

Read "Uncle John's Band" reviewed by Mario Calvitti

by Mario Calvitti

Dopo la parentesi del primo disco realizzato in completa solitudine, il chitarrista John Scofield torna alla formazione per lui più abituale del trio, ma non lo stesso con cui aveva inciso Swallow Tales sempre per la label tedesca. Al posto di Steve Swallow troviamo infatti il contrabbassista Vicente Archer, mentre alla batteria siede nuovamente il fido Bill Stewart. È una nuova formazione per Scofield, anche se i tre insieme al pianista e organista Gerald Clayton avevano registrato Combo 66 nel ...

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20

Album Review

John Scofield: Uncle John's Band

Read "Uncle John's Band" reviewed by Ian Patterson

by Ian Patterson

John Scofield's entire oeuvre can be roughly divided into groove-based or straight-ahead recordings. Yet even in maximum groove propulsion, as on A Go Go (Verve, 1998), to cite one stellar example, Scofield's grounding in straight-ahead jazz is never far from the surface. On the flip side, his most conventional jazz is always rhythmically vital. Uncle John's Band, the guitarist's third ECM album as leader, following Swallow Tales (2020) and John Scofield (2022), falls squarely in the latter category. And it ...

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Album Review

John Scofield: Uncle John's Band

Read "Uncle John's Band" reviewed by Neil Duggan

by Neil Duggan

Phil Lesh, Grateful Dead's bassist for over 30 years, claimed their basic inspiration came from the musical unions he saw in the Miles Davis Quartet along with the John Coltrane Quartet from the early 1960s. John Scofield and Lesh have played together on many occasions. So perhaps it is no surprise that the Grateful Dead anthem, “Uncle John's Band," written by guitarist Jerry Garcia and lyricist Robert Hunter, originally released on their album, Workingman's Dead (Warner Bros. 1970), should serve ...

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6

Album Review

Vicente Archer: Short Stories

Read "Short Stories" reviewed by Mike Jurkovic

by Mike Jurkovic

Bassist Vicente Archer may be a Grammy winner with a long grand vintage (Nicholas Payton, John Scofield, Kenny Garrett, Norah Jones) but he has not revealed his own particular harvest as he does on the amicable and resilient Short Stories. Accompanied on what is technically his debut, fellow Scofield and Payton alum, drummer Bill Stewart and ever curious pianist Gerald Clayton bring to these stories a captivating, unified narrative. The soft, insistent tannins of “Mirai" opens Short Stories ...

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29

Album Review

Jeremy Pelt: Soundtrack

Read "Soundtrack" reviewed by Jack Bowers

by Jack Bowers

Although Soundtrack is the name of trumpeter Jeremy Pelt's latest album (more about that in a moment), there is another selection that more readily summarizes Pelt's lyric philosophy: “I Love Music." And while there is ample contrast, camaraderie and color on the album, there is no doubt that Pelt's clear and creative commentaries are the focal point. As for that title, “Soundtrack" is simply the name of a twenty-year-old ballad written for but never recorded by one of Pelt's earlier ...

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