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Jazz Articles about Tony Malaby

7
Album Review

Satoko Fujii Orchestra New York: Entity

Read "Entity" reviewed by Dan McClenaghan


Pianist / composer Satoko Fujii has staked out her ground as one of the most original voices in jazz—or in any artform, for that matter. She has released more than eighty albums, beginning with her 1995 debut, Something About Water (Libra Records), a piano duet set with Paul Bley. She tours relentlessly. She records in every ensemble format imaginable: solos, duos, trios, quartets and big bands. Lots of big bands, based in Berlin, Tokyo, Kobe, Nagoya, New York.

10
Album Review

Satoko Fujii Orchestra New York: Entity

Read "Entity" reviewed by Karl Ackermann


As she did in 2019, pianist/composer Satoko Fujii—an artist at home in many formations—opens the new decade with an orchestra recording. Entity, from Fujii's Orchestra New York, is the eleventh release from the ensemble that has remained largely intact for almost twenty-three years. It is an all-star collective that includes saxophonists Oscar Noriega, Ellery Eskelin and Tony Malaby, trumpeters Natsuki Tamura and Herb Robertson, guitarist Nels Cline and drummer Ches Smith. Entity has its moments of tranquility but ...

5
In Pictures

Tony Malaby with Nick Fraser at the Rex

Read "Tony Malaby with Nick Fraser at the Rex" reviewed by Dave Kaufman


I recently relocated to Toronto and I'm still familiarizing myself with the local jazz scene and musicians. The scene itself turns out to be more expansive and broader in musical scope than I anticipated. The Rex Jazz Bar and Hotel is the pre-eminent jazz club in the city. It features jazz seven nights a week with as many as 20 shows in a given week, almost rivaling Smalls Jazz in New York City for the breadth of its schedule. I ...

3
Radio & Podcasts

A Focus on Tony Malaby

Read "A Focus on Tony Malaby" reviewed by Bob Osborne


A focus on saxophonist Tony Malaby with a variety of music from his work as a leader, co-leader and as a sideman demonstrating his exceptional playing. Playlist Gordon Grdina “Visceral Voices" from No Difference (Songlines) 00:00 Rez Abassi “Dark Bones" from Out of Body (Feroza) 09:04 Chris Lightcap's Bigmouth “Arthur Avenue" from Epicenter (Clean Feed) 19:49 Pandelis Karayorgis, Mat Maneri “Three Plus Three" from Disambiguation (Leo Records) 27:56 Tony Malaby Paloma Recio “Artifact" from Incantations (Clean Feed) 38:22 ...

34
Album Review

Satoko Fujii Orchestra New York: Fukushima

Read "Fukushima" reviewed by Karl Ackermann


Satoko Fujii's Orchestra New York has been together since their 1997 debut South Wind (Leo Lab/Libra). A “super group" by any standards, it has remained largely intact over the course of twenty years, bringing the ensemble to its latest release, Fukushima, a memorial suite. The Fukushima nuclear accident was caused by a major earthquake and a subsequent tsunami and was the worst such incident since the 1986 Chernobyl disaster. Fujii was in Tokyo at the time, in 2011. There were ...

7
Album Review

Satoko Fujii Orchestra New York: Fukushima

Read "Fukushima" reviewed by Dan McClenaghan


In 2011 an earthquake set into motion the events that would create a partial meltdown of fuel rods in the reactors in the nuclear power plant in Fukushima, Japan. Radiation was released. The effects are still felt, and will be for decades (at least)--an especially troubling situation for the only country to have experienced the initially catastrophic and ultimately corrosive and malignant aftermath of a nuclear attack. Satoko Fujii, the Japanese pianist/composer/band leader, has something to say about ...

6
Album Review

Charlie Haden / Liberation Music Orchestra: Time/Life:Songs For The Whales And Other Beings

Read "Time/Life:Songs For The Whales And Other Beings" reviewed by Ian Patterson


Formed by bassist Charlie Haden in 1969 to protest America's war in Vietnam/Indochina, the Liberation Music Orchestra has reconvened roughly every ten years to record musical protest in the face of major injustices. Time/Life: Song for the Whales and Other Beings was inspired by concern at global ecological destruction, and to that end the music has a pervasive melancholy colored by the LMO's signature lyricism, and broken up by stirring collective and individual passages. The LMO's personnel has ...


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