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Jazz Articles about Tomeka Reid

7
Album Review

Myra Melford: For The Love Of Fire And Water

Read "For The Love Of Fire And Water" reviewed by John Sharpe


Inspired by artist Cy Twombly, pianist Myra Melford has produced a superb album which combines notated signposts with unbridled exchanges. She's helped by an all star agglomeration comprising some of New York's most accomplished instrumentalists: guitarist Mary Halvorson, saxophonist Ingrid Laubrock, cellist Tomeka Reid and drummer Susie Ibarra. As might be expected of the city's brightest talents, their paths have crossed on multiple occasions, but never in this particular permutation until they appeared as part of a Melford residency at ...

3
Album Review

Dave Douglas: Secular Psalms

Read "Secular Psalms" reviewed by Jerome Wilson


Trumpeter Dave Douglas has worked with religious themes in the past, notably on Be Still, (Greenleaf Music, 2012), and he gets back into that realm on this wide-ranging 2022 album. The music is a suite commissioned by the city of Ghent, Belgium to commemorate the 600th anniversary of the creation of an altarpiece for its St. Bavo's Cathedral. For this occasion Douglas assembled a group of young European musicians along with cellist Tomeka Reid who, because of the pandemic, had ...

5
Album Review

Myra Melford's Fire and Water Quintet: For The Love Of Fire And Water

Read "For The Love Of Fire And Water" reviewed by Mark Corroto


While the now infamous quote “writing about music is like dancing about architecture" may befit jazz criticism, writing music about painting is actually achievable. Proof of that is pianist Myra Melford's For the Love of Fire and Water; her quintet sets out to perform music inspired by the American painter Cy Twombly's (1928-2011) Bay of Gaeta drawings “For the Love of Fire and Water." Melford has taken inspiration from visual artists in the past, specifically on her solo ...

10
Festivals Talking

Moers Festival Interviews: Tomeka Reid

Read "Moers Festival Interviews: Tomeka Reid" reviewed by Martin Longley


The Moers Festival has been operating its Improviser In Residence initiative since 2008, inviting artists every year to dwell in a designated house on Klein Allee, very close to this German city's expansive Schlosspark. The 'Residence' part of the title is quite extreme, as each successive musician is given the keys for a full year's inhabitation, the aim being to infiltrate local society, performing, collaborating, workshopping and generally burrowing into the Moers scene, quite possibly inviting other players from the ...

6
Album Review

Artifacts: Tomeka Reid, Nicole Mitchell, Mike Reed: …and then there’s this

Read "…and then there’s this" reviewed by John Sharpe


For the follow up to the excellent debut Artifacts (482 Music, 2015), the stellar threesome of cellist Tomeka Reid, flautist Nicole Mitchell, and drummer Mike Reed waxes another outstanding album, but one which differs in two respects. Firstly this time out the emphasis is on the compositional smarts of the crew rather than a celebration of their forebears in Chicago's esteemed AACM. Secondly, as Mitchell elucidates, this collection is also more focused on the groove. But neither is a dramatic ...

6
Album Review

Artifacts: Tomeka Reid, Nicole Mitchell, Mike Reed: …and then there’s this

Read "…and then there’s this" reviewed by Mark Corroto


Chicago's Association for the Advancement of Creative Musicians or AACM, formed in 1965, adopted the maxim “ancient to the future." The future of which they spoke, in the hands of the next generation heard here, is indeed secure. The trio Artifacts comprises the gifted successors to the AACM, cellist Tomeka Reid, flutist Nicole Mitchell, and drummer Mike Reed. ...and then there's this is the trio's second release and it follows the self-titled debut from 482 Music in 2015. Where that ...

3
Album Review

Mary LaRose: Out Here

Read "Out Here" reviewed by Jerome Wilson


Vocalist Mary LaRose has long been putting vocals, with and without words, to the works of modern jazz composers such as Albert Ayler, Ornette Coleman, Charlie Haden and Eric Dolphy. This CD is her first full-length exploration of Dolphy, probing the free-wheeling elusiveness of his work with a group which includes several of the instruments he used in his recordings, cello, vibraphone, and bass clarinet. LaRose approaches Dolphy's music by putting lyrics to some tunes, singing wordlessly on ...


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