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Jazz Articles about Tim Berne

14
Album Review

Tim Berne - Matt Mitchell: One More Please

Read "One More Please" reviewed by Dan McClenaghan


Saxophonist Tim Berne has gained most of his notoriety via small group recordings, with ensembles such as Big Satan, Hard Cell, Snakeoil and Science Friction. His partnership with ECM Records, beginning with 2012's Snakeoil--after a few sideman contributions on the label--lifted his profile, deservedly. His approach to making music might be called “out there in deep space," or “haphazard mini riots featuring eye-of-the-storm intervals that slip into placid melodic and rhythmic complexities." Bracing stuff, and thought- provoking at the same ...

6
Radio & Podcasts

An International Mix

Read "An International Mix" reviewed by Bob Osborne


An international mix with a newly discovered live recording of Tim Berne's Decay group, a trio of releases from the Circum-Disc label, two new albums the ears&eyes label and a fascinating blend of American jazz and Eastern India's ragas from Charu Suri. Playlist Show Intro 00:00 Ryan Ferreira, Michael Formanek, Ches Smith, Tim Berne “The Fantastic Five" from Decay (Screwgun) 00:53 Le Trio Voyageur “Tokyo Respire" from FU-RIN-KA-ZAN (Circum-Disc) 15:09 Abdou Boni “Volume des vides du sol" from ...

6
Album Review

Will Bernard: Pond Life

Read "Pond Life" reviewed by Mark Corroto


All great performances, be they athletic or musical, start with a solid base. For guitarist Will Bernard that is a trio with drummer Ches Smith (Ceramic Dog, Snakeoil) and completing Bernard's bass (sic) with both the acoustic and electric input of bassist Chris Lightcap. Upon this foundation Bernard is inspired to expand his music with the help of keyboardist John Medeski and saxophonist Tim Berne. Medeski can be heard on the guitarist's 2008 album Blue Plate Special (Palmetto Records) and ...

12
Album Review

John Hébert: Sounds Of Love

Read "Sounds Of Love" reviewed by Mark Corroto


In sport, they talk about 'horses for courses,' to describe a parcour suited for particular athletes. That same language can be used to decide an ensemble's lineup for a particular category of music. Bassist and bandleader John Hébert made careful choices to create the quintet to perform music in the spirit of Charles Mingus. In the early 1960s, Mingus toured with saxophonist Eric Dolphy, trumpeter Johnny Coles, pianist Jaki Byard, and drummer Dannie Richmond. For Hébert's touring ensemble from 2011 ...

13
Album Review

Tim Berne / Gregg Belisle: Mars

Read "Mars" reviewed by Dan McClenaghan


Mars inspires. That blood-red eye orbiting the sun this side of Jupiter served as a muse for Gustav Holtz in the “Mars" portion of his Planets Suite (1916); H.G Wells conjured giant three-legged machines from Mars, wielding death rays and attempting to destroy the Earth; Edgar Rice Burroughs sent John Carter to Barsoom (Mars), where the protagonist met and fell in love with the lovely Princess Dejah Thoris; and Kim Stanley Robinson described a Red Mars (Spectra, 1993), as a ...

1
Radio & Podcasts

Berne and Helias

Read "Berne and Helias" reviewed by Bob Osborne


On this weeks show, a focus on recent releases of live material by the Bloodcount band led by Tim Berne, plus some of his work with Mark Helias. There are also new albums from Caroline Davis and Joachim Caffonette and a classic track from Eric Dolphy. Playlist Bloodcount “Byram's World" from 5 (Screwgun) 00:00 Caroline Davis “Yesterday's Seven Thousand Years" from Portals, Volume 1 : Mourning (Sunnyside) 17:05 Joachim Caffonnette Extended “Bittersweet Times" from Bittersweet ...

11
Album Review

Broken Shadows: Broken Shadows with Tim Berne, Chris Speed, Reid Anderson, Dave King

Read "Broken Shadows with Tim Berne, Chris Speed, Reid Anderson, Dave King" reviewed by Dan McClenaghan


The context for Broken Shadows is--can you guess--the Ornette Coleman album of the same name, recorded in 1971 and released on Columbia Records in 1982. That, along with three tunes from Coleman's Science Fiction (Columbia, 1971), and more from the free jazz pioneer's Atlantic and Blue Note Records days. And while we're at it, throw in a pair of compositions from Julius Hemphill, one from saxophonist Dewey Redman and one from bassist Charlie Haden--all players with strong connections to Coleman. ...


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