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190

Album Review

Thad Jones-Mel Lewis Jazz Orchestra: Consummation

Read "Consummation" reviewed by C. Andrew Hovan

by C. Andrew Hovan
June 25, 2002

When it came to progressive big bands during the '60s, few ensembles could boast the kind of staying power and muscle of the Thad Jones-Mel Lewis Jazz Orchestra. With some of the biggest names in the business as part of the ensemble's regular roster and the uniformly exceptional output of writer Thad Jones, this band was successful at a time when economics were making it hard for even established organizations to stay afloat. Unfortunately, the great legacy of the Thad ...

162

Album Review

Thad Jones-Mel Lewis Jazz Orchestra: Consummation

Read "Consummation" reviewed by Jack Bowers

by Jack Bowers
June 1, 2002

This charming reissue from 1970 makes it even harder to accept the fact that Thad and Mel are no longer with us. Thank goodness we have such glorious music to remember them by. All of the compositions and arrangements are Jones,' and each one is an unpretentious classic of its kind. The orchestra itself is beyond reproach, with sharp and explosive brass and reeds complementing its unrivaled rhythm section (Lewis, pianist Roland Hanna, bassist Richard Davis). There's less ...

193

Album Review

Thad Jones-Mel Lewis Orchestra: Basle, 1969

by Jack Bowers
September 1, 1999

It has been 30 years to the month since this concert appearance by the Thad Jones–Mel Lewis Orchestra was recorded in Basle, Switzerland, and I’d guess that some of those who were lucky enough to be in the audience still remember the occasion fondly. Although the (unedited) sound on the CD is uneven at times, with some soloists playing off–mic or even bumping into it from time to time, the concert–goers assuredly got their money’s worth from this rip–roaring, rock ...

455

Album Review

Thad Jones, Frank Wess, Teddy Charles: Olio

by AAJ Staff
March 1, 1999

The title is not misspelled, and the Sonny Rollins tune is not played here. (Ira Gitler made this point in the original liner notes; it’s a point still worth making.) “Olio” is an old vaudeville term meaning “medley” or “variety”, and that’s what you get in this Prestige jam session from 1957. While some do not like the looseness of jams, this one benefits from two great organizers: Mal Waldron, who could be counted on to bring ambitious tunes to ...