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About Terell Stafford

13

Extended Analysis

The Caribbean Tinge: Live from Dizzy's Club Coca-Cola

Read "The Caribbean Tinge: Live from Dizzy's Club Coca-Cola" reviewed by Steve Bryant


Ever since the jazz was created in the clubs and dancehalls of New Orleans, there was always a significant influence from the Caribbean region, specifically from Cuba. The island, which was just a ferry ride from the port city, had such a significant effect on the development of the music that Jelly Roll Morton always spoke of the importance of Afro-Cuban based rhythms (the Spanish Tinge) in creating and performing this nascent music. However, it was the arrival of a ...

2

Live Review

Terell Stafford Quintet: Tempe, AZ, May 10, 2013

Read "Terell Stafford Quintet: Tempe, AZ, May 10, 2013" reviewed by Patricia Myers


Terell Stafford QuintetTempe Center for the ArtsTempe, AZMay 10, 2013Trumpeter Terell Stafford and his East Coast quintet delivered dynamic ensemble work and memorable solos in a concert on the theme, This Side of Strayhorn. A third of the evening's repertoire came from the leader's 2011 MAXJAZZ album of the same name, celebrating Duke Ellington's renowned colleague.The three lesser-known Billy Strayhorn charts performed were from his small ensemble writing, rather than the more familiar ...

55

Live From Philadelphia

February 2012: Terell Stafford Quintet: The Music of Lee Morgan

Read "February 2012: Terell Stafford Quintet: The Music of Lee Morgan" reviewed by RJ Johnson


Terell Stafford QuintetPerelman Theater, The Kimmel CenterFebruary 25, 2012 Philadelphia native, trumpeter Terell Stafford led his quintet through two sets of original arrangements dedicated to legendary trumpeter Lee Morgan in the Perelman Theater, located inside Philadelphia's Kimmel Center. The performance was part of the Kimmel Center's 2011-2012 “Jazz Up Close" Series, which has been designed to expose new audiences to accomplished jazz artists native to Philadelphia.The series has also included tenor ...

49

Live Review

Terell Stafford Quintet: Philadelphia, PA, February 25, 2012

Read "Terell Stafford Quintet: Philadelphia, PA, February 25, 2012" reviewed by Victor L. Schermer


Terell Stafford QuintetJazz Up Close Celebrates Lee MorganPerelman TheaterThe Kimmel Center for the Performing ArtsPhiladelphia, PAFebruary 25, 2012This concert was one in a highly successful series which has been curated, coordinated, and choreographed by Danilo Perez for nearly a decade, so far in the 2011-12 season honoring Philadelphia legends such as Jimmy Heath and Benny Golson, and coming up on April 14th, McCoy Tyner. Trumpeter Lee Morgan (1938-1972) came of age ...

161

Interview

Terell Stafford: Trial and Inspiration

Read "Terell Stafford: Trial and Inspiration" reviewed by Andrew J. Sammut


Terell Stafford is as likely to credit his influences as he is to impress his listeners. Coming to jazz comparatively later than many players, and even with his busy schedule as a sideman, leader and educator, he remains devoted to exploring the music's roots, while expressing a relentless desire to learn more. Stafford first started playing trumpet at age thirteen, initially studying the classical repertoire and pursuing a music education degree at the University of Maryland. After being ...

194

Album Review

Terell Stafford: This Side of Strayhorn

Read "This Side of Strayhorn" reviewed by Kevin Davis


The preservation of traditional values in jazz has long been at the core of the art form's most bittersweet dichotomy, which is essentially a spin on the age-old idea that even moderate-level progressions in any given field require ideological breakdowns that generally make everyone mad. Miles Davis, for example, decried this preservation outright, and the jazz community gave him the finger, banishing him to Bill Graham's Fillmore East where they figured his wonky voodoo rock would be of greater use ...

187

Album Review

Terell Stafford: This Side of Strayhorn

Read "This Side of Strayhorn" reviewed by Dan McClenaghan


Some music just stands out from the crowd, and certainly Billy Strayhorn's tunes do exactly that. What would the great composer/bandleader Duke Ellington have been without his collaborator? He still certainly would have been considered one of the America's greatest artists, but it's hard to imagine an Ellington “greatest hits" offering--if one could be achieved, considering the Duke's immense output--without Strayhorn's gorgeous and familiar “Lush Life," “Take the 'A' Train," “Lotus Blossom," or “Chelsea Bridge." This Side of ...


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