Jazz Articles about Scott Hamilton

About Scott Hamilton

Album Review

Fraser MacPherson: From The Pen Of...

Read "From The Pen Of..." reviewed by Pierre Giroux

by Pierre Giroux
October 15, 2022

Tenor saxophonist Fraser MacPherson was an original. Although he was raised in Victoria, British Columbia, he moved to Vancouver early in his career where he remained throughout his working life. He began to build his reputation as a Lester Young-influenced player, and in the mid '70s recorded his first trio album for West End Records with guitarist Oliver Gannon and bassist Wyatt Ruther. This album was picked up by Concord Records in the late '70s and released in the U.S. ...

Album Review

Carol Sloane: Carol Sloane Live At Birdland

Read "Carol Sloane Live At Birdland" reviewed by Richard J Salvucci

by Richard J Salvucci
May 26, 2022

Was there ever a more storied exponent of the Great American Songbook than Carol Sloane? She started singing professionally at the age of fourteen, made her first recording in 1959, was the “gal singer" for Arthur Godfrey for a spell, and went on to record virtually any tune you can think of (and, more than likely, a few you cannot). Her voice, shimmering and luminous, worked especially well on ballads, but her up-tempo material was equally compelling. She sang with ...

Album Review

Scott Hamilton and Duke Robillard: Swingin' Again

Read "Swingin' Again" reviewed by Kyle Simpler

by Kyle Simpler
September 2, 2021

In 1987, Duke Robillard released the album Swing (Rounder), a successful combination of jazz and jump blues. He got his old friend, tenor saxophonist Scott Hamilton to help him out with the recording. Although Robillard is primarily known as a blues guitarist, the record made it obvious that jazz is also deeply rooted in his musical DNA. With Swingin' Again, he revisits the jazz world, and he once again teams up with Hamilton to help him out. Robillard ...

Album Review

Champian Fulton: Birdsong

Read "Birdsong" reviewed by Dan McClenaghan

by Dan McClenaghan
August 27, 2020

Champian Fulton was introduced to alto saxophonist Charlie Parker during her stay in the womb. The New York-based pianist/vocalist's father, Stephen Fulton held a high opinion ("The most beautiful music that ever was") of Charlie Parker With Strings (Verve, 1950), so he made a cassette tape of the recording and played it during his wife Susan's pregnancy: The sound waves of Charlie Parker and Orchestra traversing maternal flesh to burst into the domain of amniotic fluid to find their way ...

Album Review

The Scott Hamilton Trio: Live at Pyatt Hall

Read "Live at Pyatt Hall" reviewed by Jack Bowers

by Jack Bowers
January 23, 2018

Even though the Swing Era vanished long ago into the mists of time, likely never to return, it continues to have its champions, especially on the tenor saxophone: masters such as Harry Allen, Ken Peplowski, Grant Stewart, Cory Weeds (who owns the Cellar Live label and produced this splendid album) and last but by no means least, the smooth-as-velvet and always-unflappable Scott Hamilton whose trio was recorded in July 2017 at Pyatt Hall in Vancouver, B.C., during that city's annual ...

Multiple Reviews

Jan Lundgren: Swedish Ballads... & More... Quietly There

by Chris Mosey
July 13, 2016

Are Scott Hamilton and Harry Allen, two American saxophonists playing technically accomplished and downright enjoyable jazz, the Zoot Sims and Al Cohn of our day? The answer must be Very Likely, to judge from an excellent two-album reissue by Danish company Stunt Records. Hamilton and Allen are featured playing with quartets headed by Swedish pianist Jan Lundgren. Hamilton plays seven Swedish ballads; Allen nine songs by Johnny Mandel. The emphasis is on respectful interpretation as opposed to ...

Album Review

Scott Hamilton / Rein de Graaff Trio: Live at the JazzRoom

Read "Live at the JazzRoom" reviewed by Jack Bowers

by Jack Bowers
June 17, 2016

Scott Hamilton, whose enviable career has taken him around the world many times and ensured his appearance on more than a hundred notable recordings, is a throwback to an era in which tenor saxophonists could be readily identified by their sound, phrasing and singular approach to improvising. Not that Hamilton can be; he has instead incorporated many of the more admirable trademarks of his predecessors to become a sort of Everyman on his chosen instrument--not easily spotted in a lineup ...