Jazz Articles about Ruth Davies

About Ruth Davies

Album Review

Folk/blues practitioner Taj Mahal's Savoy is to be savored. As one of the custodians of the blues, Mahal has long been a legend in his own time. This collection traverses a cultural-musical continuum in an indispensable residency in the annals of Black American music. The namesake of this album--the Savoy on Lenox Avenue in Harlem--was known as The World's Finest Ballroom and Home Of Happy Feet. In the pre-Civil Rights era, the North claimed formal equality, but segregation ...

Album Review

Taj Mahal: Savoy

by Dave Linn
May 3, 2023

Savoy, from Taj Mahal, is the latest entrant in the crowded field of pop music artists trying their hand at the fertile songbook of old big-band, swing-era standards. Unlike most, Mahal's roots show he's well suited to the task. He was born in Harlem in 1942. He grew up in a musical family, and his parents were both involved in the arts. His father was a jazz pianist and arranger, working with Cab Calloway, Duke Ellington, and Fletcher Henderson among ...

Album Review

Roberta Donnay: Blossom-ing!

Read "Blossom-ing!" reviewed by Pierre Giroux

by Pierre Giroux
November 25, 2022

Pianist, vocalist and composer Blossom Dearie may have been diminutive in stature and voice but certainly never in talent. She began her career in New York in the mid 1940s and then moved to Paris in the early 1950s to form the vocal group The Blue Stars, which eventually morphed into the Swingle Singers. Returning to the US in the 1960s, she began a solo career and gained international recognition through her wry interpretation of unusual song choices as well ...

Album Review

Roberta Donnay: Blossom-ing!

Read "Blossom-ing!" reviewed by Jack Bowers

by Jack Bowers
November 8, 2022

Blossom-ing! is vocalist Roberta Donnay's tribute to one of the most memorable jazz singers who ever lived, Blossom Dearie. She does so via sixteen songs associated with Dearie including Billie Holiday's “Billie's (or Blossom's) Blues," retitled here “Roberta's Blues." After leading with that one, Donnay lends her tremulous little-girl voice (eerily similar to Dearie's) to one of Dearie's best-known themes, “Peel Me a Grape," before scanning the others. Unlike Dearie, Donnay doesn't accompany herself at the piano, ...