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Behn Gillece: Pivot Point
by Carl Medsker
Posi-Tone will have released 253 albums in its post-bop contemporary mainstream jazz space with Pivot Point by Behn Gillece. Maintaining freshness and avoiding formula could become a creative challenge for any such productive label, but Gillece avoids that potential pitfall through well-written songs, crafty arrangements and excellent musicianship. The sequencing of songs is also thoughtful, varying in meter, style and emotion. Pivot Point is sufficiently complex and intelligent to warrant multiple listenings, but is simultaneously lots of fun.
Continue ReadingDiego Rivera: West Circle
by David A. Orthmann
Let it not be said that Posi-Tone Records fails to put its weight and resources behind the artists it believes in. A case in point is the volume of releases that entail the combinations of tenor/soprano saxophonist Diego Rivera, pianist Art Hirahara, bassist Boris Kozlov, and drummer Rudy Royston. In the last five years, discs in which two or more of these artists participate have exceeded three dozen. A sample of the projects includes dates led by all of them ...
Continue ReadingChris Cheek: Keepers of the Eastern Door
by David Weiner
In Keepers of the Eastern Door, saxophonist Chris Cheek leads a beautifully played, richly melodic and creatively curated set of performances, which split the difference between enchantment and fun. Cheek and his bandmates--Bill Frisell on guitar, Tony Scherr on bass, and Rudy Royston on drums--offer a mix of distinctive Cheek originals and unexpected takes on works by others. The covers are borrowed from genres outside the jazz and songbook repertoires, and the band outfits them with attractive new arrangements, tempos ...
Continue ReadingWillie Morris: Unbound Inner
by David A. Orthmann
Willie Morris's third release as a leader for Posi-Tone opens with the haunting “Flyover Country," which only includes the leader's tenor saxophone and pianist Jon Davis. Combining improvisation and Morris's earnest, subdued theme, the two-minute 25-second gem doesn't declare any particular stylistic allegiance, nor does it clamor for attention. Instead, Morris's and Davis's partnership evokes a pristine stillness and wistful melancholy yet is purposeful enough to get under one's skin. The track is a refreshing, counterintuitive way to launch a ...
Continue ReadingPosi-Tone Swingtet: In Jazz We Trust
by Joshua Weiner
The Posi-Tone Records label, founded and run by producer Marc Free and engineer Nick O'Toole, celebrates its 30th anniversary in 2025. Given the many upheavals in the music business since 1995--the rise of file sharing, the introduction of iTunes, iPod, and iPhone, the decline of the compact disc concomitant with the rise of streaming services, the shrinking influence of major labels with the rise of self-released music, and the recent rediscovery of vinyl--the label is justly proud not only to ...
Continue ReadingPosi-Tone Swingtet: In Jazz We Trust
by Dan Bilawsky
In the mid-'90s, when Posi-Tone released its first album, the recording industry landscape was completely different than it is today. Small independent labels were not the norm, every artist did not have their own imprint and Napster had yet to arrive to kick off the access revolution. It was, quite simply, a different world--one where label co-founder Marc Free was poised and able to transform a dream into reality by shining a light on established players deserving a closer look ...
Continue ReadingWillie Morris: Unbound Inner
by Willie Morris
This album is a culmination of much more than just the compositions, the solos, or the time spent in the studio. It is the coming together of many years of life experience between the musicians featured, the producers, the engineers, and hopefully the listeners. It is a small piece added to an ongoing stream of conscious and unconscious desire to find peace within and fully allow ourselves to embody and express who we are. This music centers on people, their ...
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