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Doug MacDonald: Overtones
by Jack Bowers
The term “all-star" is not one to be used lightly. Be that as it may, the appellation fits guitarist Doug MacDonald's Los Angeles-based octet as snugly as a glove; he and his colleagues are among the finest, most experienced and in-demand musicians on the West Coast. On Overtones, recorded in September 2021, the ensemble shows its mastery by gracefully skating through seven of MacDonald's upbeat themes and one standard, Ram Ramirez' ardent “Lover Man." Three of MacDonald's ...
Continue ReadingDoug MacDonald: Overtones
by Richard J Salvucci
Some of you may well remember Arthur Conley's 1967 chart-topper, “Sweet Soul Music." The lyrics began with the imperishable line, “Do you like good music?" That may resonate with listeners of a certain age, because Overtones: Doug MacDonald and the L.A. All Star Octet certainly qualifies as “good music." What is it about West Coast stuff inflected with Birth of the Cool? It somehow never gets old, even when a listener thinks, “Hmm. There may not be anything new here, ...
Continue ReadingDoug MacDonald: Overtones
by Edward Blanco
Los Angeles-based guitarist Doug MacDonald just happens to be one of the most active recording musicians in the country, with three releases in 2021 alone and at least two more dating back to 2019. Add to that list, this 2022 recording of Overtones and you can understand MacDonald's devotion to producing music as evidenced by his large discography. A prolific composer, MacDonald's eight-track repertoire consist almost entirely of original compositions, with the only exception being a fine rendition of Ram ...
Continue ReadingDoug MacDonald and the L.A. All-Star Octet: Overtones
by Jack Bowers
Doug MacDonald's mind is as active as his fingers. The Los Angeles-based guitarist divides his time between writing and playing, and he writes as well as he plays, which is impeccably. Overtones, on which he leads an All-Star Octet (we checked, and all-star is precisely the proper term), is MacDonald's fourth album in the last year or so and twentieth-plus over-all. As is generally the case, most of the songs are his (seven of eight), and they are consistently bright ...
Continue ReadingWill Lyle: L.A. Source Codes
by Kyle Simpler
For computer programmers, a source code is a piece of computer language, which they are able to read and transfer and put to use in a practical way. With his debut album, L.A. Source Codes, bassist Will Lyle makes a connection between this concept and jazz. As with computer programming, jazz has its own language, and learning the language of jazz can be somewhat challenging. A skilled player, however, can take musical “source codes," such as chords, scales and arpeggios, ...
Continue ReadingRoy McCurdy: From Cannonball to the Rochester Music Hall of Fame
by Scott Gudell
When we placed a call from New York to Los Angeles in the early part of 2021, the articulate and vibrant drummer Roy McCurdy answered and quickly connected us back to the 1950s. He told us about his hometown of Rochester, New York, his early days performing with Chuck Mangione and Gap Mangione and how he went on to play with world class jazz saxophonists, including Sonny Rollins, Cannonball Adderley and others. Now, as a teacher at the USC/Thornton School ...
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