Jazz Articles about Paul Bollenback

Paul Bollenback: Brightness of Being

by Dan McClenaghan
February 12, 2006

You have to love it when a first-rate jazz guitarist opens up a set with a barnburner, as Paul Bollenback does on his sixth release as a leader, Brightness of Being. The song is “Together," and he and tenor saxophonist Gary Thomas work some clean-toned heat together, keeping it sharp and tight in front of a flexible rhythm.Bollenback is best known for his association with organ legend Joey De Francesco, a sixteen-year, fourteen-album musical relationship. The guitarist has ...

Paul Bollenback: Brightness of Being

by Michael P. Gladstone
February 1, 2006

Guitarist and composer Paul Bollenback has been a veritable whirlwind of activity over the past fifteen years. Aa a vital part of Joey DeFrancesco's combo, he played on thirteen albums since 1990, as well as a total of 48 sessions during that same time period with artists like Joe Locke, Gary Thomas and Ron Holloway. This is his sixth date as a leader since 1995.

The dozen selections display a wide variety of styles, including straight-ahead bebop with ...

Paul Bollenback: Soul Grooves

by Douglas Payne
August 1, 1999

The days of honest to God soul jazz are probably long gone. It's hard to even remember all the good players who stretched out over some well-known R & B or dug deep into a meaningful blues. They packed all the clubs and their records, one a month it seemed, sold like crazy. Somewhere along the way people started taking jazz seriously. Maybe a bit too seriously.Guitarist Paul Bollenback, though, comes from a crowd that seems most capable ...

The Greg Hatza ORGANization: Snake Eyes

by Douglas Payne
August 1, 1998

Here's a nice soul-jazz date from Baltimore-based organist Greg Hatza that will happily take many back to the smoke filled clubs when organ combos ruled the scene. Some may remember the two nifty trio dates Hatza recorded for Coral in 1967 with guitarist Eric Gale and Grady Tate. If DJs ever happen upon these, they're sure to become acid-jazz classics. Hatza seems to have vanished from the scene as electronic keyboards and fusion took over jazz and resurfaced only recently, ...