Jazz Articles about Nick Grinder

About Nick Grinder

Album Review

Mike Fahie Jazz Orchestra: Urban(e)

Read "Urban(e)" reviewed by Dan Bilawsky

by Dan Bilawsky
October 23, 2020

There's a rocky history surrounding jazz-classical hybrids. But, in truth, that has little to do with any potential incompatibility. Instead, it's usually misguided maneuvering and/or an excessive show of dominant traits from one side or the other that mars said unions. When done right a wedding of those worlds can truly birth brilliance. Just listen to Urban(e) for proof. Noted trombonist, composer, arranger and educator Mike Fahie's unabashed love for classical music and jazz is clear and ...

Album Review

Schapiro 17: New Shoes: Kind of Blue at 60

Read "New Shoes: Kind of Blue at 60" reviewed by Jerome Wilson

by Jerome Wilson
September 7, 2020

Miles Davis' album Kind Of Blue (Columbia, 1959) is the best-selling jazz album of all time and has been highly influential for the last 60 years. Most of its five tracks have become jazz standards and have been interpreted time and again. However it is rare to see the entire album reworked to the extent that Jon Schapiro and his big band, Schapiro 17, do here. The tracks undergo extensive retooling, expanding into big band arrangements that carry on the ...

Album Review

Mike Fahie Jazz Orchestra: Urban(e)

by Jack Bowers
August 5, 2020

Most Western music, irrespective of its origin and premise, inhabits the same harmonic, chordal and rhythmic universe. So it should not be surprising that classical music, in the hands of a skilled arranger, can be readily recast in a jazz idiom, even one that is housed within a big-band framework. On Urban(e), trombonist Mike Fahie's New York-based Jazz Orchestra braves that challenge, quickening Fahie's translations of works by Frederic Chopin, Igor Stravinsky, Claude Debussy, Bela Bartok, Peter Ilyich Tchaikovsky and ...

Album Review

The NYChillharmonic: Mean

by Mike Jurkovic
July 25, 2020

Having toured across five continents, you have to figure that no matter what musical element dares to share physical space within Brooklyn keyboard/vocalist Sara McDonald's brain-bending flight path, it is going to be grabbed by the scruff of the neck and turned it into something forceful. Something fierce. Something startlingly her own. Leader of the eighteen piece, (sometimes twenty, sometimes more or less), orchestral-punk-prog-jazz-rock the NYChillharmonic, McDonald unveils the utterly invigorating “Mean," a churning, sawing, simmering shard of ...

Album Review

The Seth Weaver Big Band: Truth

by Jack Bowers
May 8, 2020

Truth, the debut album by New York-based trombonist / vocalist Seth Weaver, has its ups and downs, most of which involve the leader himself. The “ups" enter the picture thanks to Weaver's five far-better-than-average compositions, the “downs" whenever he chooses to sing, as he does on three of eight numbers. Luckily, the pluses far outweigh the minuses, thanks in large measure to Weaver's admirable ensemble, a number of first-rate soloists and the above-mentioned compositions, which herald Weaver as a talented ...

Album Review

Webber / Morris Big Band: Both Are True

Read "Both Are True" reviewed by John Sharpe

by John Sharpe
April 23, 2020

On Both Are True Canadian composers and reed players Anna Webber and Angela Morris reimagine the language of the big band. They extend the tradition through adventurous arrangements spiced with the unpredictability of improv, by co-opting the nimbleness of a much smaller group, and reveling in non-standard techniques. Webber has already garnered plaudits for the work of her Simple Trio with Matt Mitchell and John Hollenbeck, while Morris' ventures such as the Motel Trio boast a lower profile so far. ...

Album Review

Schapiro 17: New Shoes: Kind of Blue at 60

Read "New Shoes: Kind of Blue at 60" reviewed by Jack Bowers

by Jack Bowers
April 10, 2020

2019 marked the sixtieth anniversary of the Miles Davis sextet's acclaimed album, Kind of Blue (Columbia). While the tributes didn't exactly pour in, New York-based composer / arranger Jon Schapiro took it upon himself not only to revisit that classic session but to re-orchestrate it for a large ensemble (the Schapiro 17) and flesh it out with half a dozen compositions of his own and another by pianist Roberta Piket. In keeping with the spirit of the occasion, all of ...