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Ingrid Laubrock: Monochromes
by Mark Corroto
Saxophonist & composer Ingrid Laubrock and her partner, drummer Tom Rainey self-released an ongoing series of spontaneous duets, the Stir Crazy Episodes, recorded during the pandemic lockdown. They were most likely a kind of pressure release mechanism for both artists. With Monochromes, Laubrock heads in the opposite direction by commissioning four musicians to pre-record tape pieces based on her notations, both conventional and graphical; these form the foundations for Laubrock and three different collaborations to improvise over. The single 40-minute ...
Continue Reading...Ivo Perelman / Nate Wooley: Polarity 2
by Mark Corroto
Polarity 2, the follow up to the first Polarity (Burning Ambulance, 2021) by saxophonist Ivo Perelman and trumpeter Nate Wooley, is the antithesis of its title. Never could it be said the musicians display opposite or contradictory tendencies with this recording. The best you can say is that the two musicians are the opposite sides of the same coin. To say the currency, they trade in is extended technique on their instruments does not do justice to just how revolutionary ...
Continue Reading...Favorite Jazz of 2022
by Jerome Wilson
This show looks back at 2022 by playing my favorite jazz recordings of the past year. Musicians featured include Nate Wooley (with his group Columbia Icefield), Hedvig Mollestad, Tyshawn Sorey, Wayne Shorter, and Bill Frisell. Playlist Henry Threadgill Sextett I Can't Wait Till I Get Home" from The Complete Novus & Columbia Recordings of Henry Threadgill & Air (Mosaic) 00:00 Tyshawn Sorey Trio Two Over One" from Mesmerism (Yeros7) 1:02 Mary Halvorson Amaryllis" from Amaryllis (Nonesuch} 8:14 Host ...
Continue Reading...Jerome Wilson's Best Jazz Albums Of 2022
by Jerome Wilson
2022 was the year that the jazz world seemed to recover from the effects of the pandemic. Musicians went back on tour, festivals reemerged and some artists released multiple albums that were the results of all the involuntary isolation they went through during quarantine. Veteran masters such as Nate Wooley and Charles Lloyd kept up their standards of excellence while a stunning new voice debuted on record, Zoh Amba. A young saxophonist from rural Tennessee, she plays an intensely spiritual ...
Continue Reading...Columbia Icefield: Ancient Songs of Burlap Heroes
by Jerome Wilson
Trumpeter Nate Wooley can create impressive large-scale compositions. His Seven Storey Mountain VI, (Pyroclastic, 2021) is a massive work, dealing with the rights of women, that used fourteen musicians and singers. His group, Columbia Icefield, achieves similar results with just four members, Wooley himself on trumpet and amplifier, Mary Halvorson on electric guitar, Susan Alcorn on pedal steel guitar and Ryan Sawyer on drums plus Mat Maneri and Trevor Dunn guesting on some tracks. This music moves at a glacial ...
Continue Reading...Columbia Icefield: Ancient Songs of Burlap Heroes
by Troy Dostert
Nate Wooley refuses to make trivial music. Whether the endlessly creative trumpeter and composer is rethinking the relationship between artistic production and community, as on Mutual Aid Music (Pleasure of the Text, 2021), or pursuing ways to re-envision music's spiritual potential, seen most recently on 2020's Seven Storey Mountain VI (Pyroclastic Records), he always provides his listeners with a lot to ponder. This is no less evident with his Columbia Icefield project, which dives headlong into humankind's fraught relationship with ...
Continue Reading...Nate Wooley: Mutual Aid Music
by John Sharpe
With Mutual Aid Music, trumpeter Nate Wooley expands the ideas that underlay his Battle Piece series, (heard on three albums on Relative Pitch Records from 2015, 2017 and 2019) to produce a double CD which absorbs and enthralls. To the original cast of accomplished improvisers, comprising saxophonist Ingrid Laubrock, vibraphonist Matt Moran and pianist Sylvie Courvoisier, Wooley adds four players, who hail from contemporary classical backgrounds. Of these, pianist Cory Smythe has had the greatest exposure to jazz audiences, not ...
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