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Jazz Articles about Matthew Shipp

7
Album Review

Stephen Gauci / Francisco Mela / William Parker / Matthew Shipp: Live at Scholes Street Studio

Read "Live at Scholes Street Studio" reviewed by John Sharpe


Tenor saxophonist Stephen Gauci provokes blistering unfettered performances from the starry cast on another installment of Live At Scholes Street Studio. Gauci embodies a fierce DIY ethos which manifests in producing multiple concert series in NYC as well as releasing consequent material on his own label and posting video documentation on his website. On this occasion, he is joined by three storied veterans of the avant-jazz scene in pianist Matthew Shipp, bassist William Parker and drummer Francisco Mela who bring ...

11
Book Review

Singularity Codex: Matthew Shipp on RogueArt

Read "Singularity Codex: Matthew Shipp on RogueArt" reviewed by Karl Ackermann


Singularity Codex: Matthew Shipp on RogueArt Clifford Allen 205 Pages ISBN: # 2953150870 RogueArt 2023 Clifford Allen, a contributor to a number of jazz publications including All About Jazz, is the author of Singularity Codex: Matthew Shipp on RogueArt, Allen's first book. He takes on the iconic improviser's recording history with the French label. The glimpses into Shipp--the person--are largely through secondary analysis and interviews and reveal a few insights not widely ...

16
Album Review

East Axis: No Subject

Read "No Subject" reviewed by Karl Ackermann


Pianist Matthew Shipp, bassist Kevin Ray, and drummer Gerald Cleaver return for No Subject, the sophomore release from the quartet East Axis. One point on the axis has changed with the journeyman, multi-reedist Scott Robinson replacing saxophonist Allen Lowe. Robinson is a veteran of many prestigious and diverse groups including the Toshiko Akiyoshi Jazz Orchestra, Maria Schneider's orchestra, Ron Carter's Great Big Band, and the Joe Lovano Nonet. While not an obvious choice in the company of top-tier avant-gardists, Robinson ...

8
Interview

Catching Up With Matthew Shipp

Read "Catching Up With Matthew Shipp" reviewed by Mark Corroto


As Matthew Shipp enters his sixth decade he has nothing left to prove to the jazz cognoscenti. He has for 40-plus years worked at crafting an instantly recognizable language at the piano. When he moved to Manhattan's Lower East Side in the '80s, he immersed himself in the same do-it -yourself culture that produced the post-punk revolution of rock music and the emergence of hip-hop. That DIY attitude, the one that fueled rock and rap, was borrowed from New York's ...

8
Album Review

Perelman / Shipp / Cosgrove: Live in Carrboro

Read "Live in Carrboro" reviewed by Mark Corroto


It is rare that we get a live recording from saxophonist Ivo Perelman and pianist Matthew Shipp. Of their 40-plus discs, the majority have been studio productions. This Live In Carrboro date from November 4, 2022 shares the same line-up as Live In Baltimore (Leo Records, 2017) with the addition of drummer Jeff Cosgrove. Recommended to Perelman by Shipp, Cosgrove is more of a colorist than a free player. He has previously released an album of Paul Motian covers and ...

8
Album Review

East Axis: No Subject

Read "No Subject" reviewed by Mike Jurkovic


As multi-reedist Scott Robinson, (Maria Schneider, Roscoe Mitchell) takes the horn chair from Allen Lowe, all is delivered and then some on No Subject, the second, reason-defying release from chameleonic improvisers pianist Matthew Shipp, bassist Kevin Ray, and drummer Gerald Cleaver. Turning to shorter forms and themes than the three lengthy group-thinks which determined 2021's restless narrative Cool With That (ESP), each member of East Axis integrally steers the protean charge to creation via his own curious instinct and will. ...

4
Liner Notes

Matthew Shipp: Invisible Light - Live São Paulo

Read "Matthew Shipp: Invisible Light - Live São Paulo" reviewed by Mark Corroto


Think About seeing someone perform with what looks to you like effortless joy. It may be how they glide across a stage, evenly cutting carrots, or nonchalantly pocket a foul ball. I hope you have noticed Matthew Shipp's studied casualness these past thirty-plus years of music making. His entire oeuvre of recordings and performances have set about achieving the goal of what the Chinese call wu-wei, which translates metaphorically into “not trying" or “not doing." In sports, when a shooter ...


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