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Jazz Articles about Mark Egan

328
Album Review

Mark Egan: Truth Be Told

Read "Truth Be Told" reviewed by Dan Bilawsky


Mark Egan often provides subtle accompaniment, holding things together with his bass work and making other musicians look good in his role as a studio musician. The music on Truth Be Told shows off his extroverted side as he blazes through an assortment of funk/fusion tracks with some formidable sidemen along for the ride. The quintet--Egan, drummer Vinnie Colaiuta, percussionist Roger Squitero, keyboardist Mitch Forman and saxophonist Bill Evans--launches right into a funky strut on the album ...

218
Album Review

Mark Egan: As We Speak

Read "As We Speak" reviewed by Jeff Dayton-Johnson


Given Mark Egan's long and deep involvement with the commercial end of the music business (as evidenced by a long resume of session credits in the jazz and pop worlds), the personality of this record is perhaps surprising. As We Speak is essentially a blowing session, with no overdubs or big production numbers. Not that there's anything wrong with that; indeed, the format, a necessary complement to Egan's other activities, is doing the leader a world of good. And not ...

467
Album Review

Mark Egan: As We Speak

Read "As We Speak" reviewed by John Kelman


While the innovations of the late Jaco Pastorius continue to be felt to this day, he's not the only electric bassist to develop a recognizable fretless sound. Born the same year as Pastorius, Mark Egan has built his career around a denser tone and more eminently lyrical disposition. While Pastorius was capable of equal melodism but often resorted to greater bombast, Egan has remained distinctive and been a more consistent team player. As We Speak is a strong example--the bassist's ...

290
Album Review

Pat Metheny Group: Pat Metheny Group

Read "Pat Metheny Group" reviewed by AAJ Staff


This album stands out from the others I've reviewed to date (for a number of reasons). I've been a Metheny fan my entire life, but had never thought of his work as groove oriented (except for the relatively recent commercially-successful release). But, I was wrong. I recently became more attuned to grooves through a playing experience and it opened my ears to hearing grooves better. When I put this album on recently after a long time since I had listened ...


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