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Jazz Articles about Larry Ochs


About Larry Ochs

316

Album Review

Larry Ochs Sax & Drumming Core: Stone Shift

Read "Stone Shift" reviewed by Kurt Gottschalk

by Kurt Gottschalk

Larry Ochs, best known for his work with the long-standing ROVA saxophone quartet, has been working an unusual and satisfying side project for close to a decade. His Drumming Core, founded in 2000, is a trio with two drummers dedicated to exploring American field hollers and Asian chants. The first two CDs were rewarding, if more as an opportunity to hear Ochs as the sole melody instrument than for the East-meets-West concept. But for their third release, Ochs has expanded ...

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1

Album Review

Larry Ochs Sax and Drumming Core: Up from Under

Read "Up from Under" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Dalle pionieristiche intuizioni di Ornette e Coltrane, passando per le geniali trovate di Henry Threadgill, l'idea della doppia-ritmica/doppia batteria ha attraversato con fortune alterne la storia recente dell'improvvisazione. Eppure, il riferimento più affascinante e immediato per il Sax & Drumming Core di Larry Ochs, almeno all'orecchio suggestionabile di chi scrive, sono le Fife & Drum band del sud degli Stati Uniti, una delle forme più incredibili d'incarnazione del country blues (per chi non abbia dimestichezza consiglio l'ascolto del leggendario Othar ...

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515

Profile

Larry Ochs

Read "Larry Ochs" reviewed by Marc Medwin

by Marc Medwin

“It started out as a social thing," says saxophonist and composer Larry Ochs of what would eventually determine the course of his life. “I played trumpet as a kid in New York, but it wasn't really because I enjoyed it. I played music because friends of mine were doing it; then it was supposed to be good for college credit. My private teachers never even suggested to me that I could play music I liked or hinted at the idea ...

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1,323

Interview

An AAJ Interview with Larry Ochs

Read "An AAJ Interview with Larry Ochs" reviewed by AAJ Staff

by AAJ Staff

This interview was originally published in January 2000.“To reveal a new world is the function of creation in all the arts." --Edgard VareseHow different might our planet be if a number of significant events over the past century had NOT happened? What if the Kennedys and Dr. King had NOT been assassinated? What if nuclear weaponry had NOT been invented? What if the stock market had NOT crashed in Oct. 1929?From a musical perspective, ...

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493

Multiple Reviews

Larry Ochs: Spiller Alley and The Mirror World

Read "Larry Ochs: Spiller Alley and The Mirror World" reviewed by John Sharpe

by John Sharpe

Larry Ochs/ Maya Masaoka/ Peggy Lee Spiller Alley RogueArt 2008 Larry Ochs/ Rova Special Sextet/ Orkestrova The Mirror World (for Stan Brakhage) Metalanguage 2008

Since 1978 saxophonist Larry Ochs' activities have been primarily centered on the Rova Saxophone Quartet, but increasingly, survival in the jazz world demands the pursuit of parallel projects. Consequently ...

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1

Album Review

Rova: Totally Spinning

Read "Totally Spinning" reviewed by AAJ Italy Staff

by AAJ Italy Staff

Se il World Saxophone Quartet, forse il più popolare delle formazioni di soli sassofoni, è da sempre il miglior esempio dell’anima black della musica afro-americana, con i suoi forti legami al blues, al gospel e alla church music in generale, Rova, fin dalla nascita avvenuta nel 1977, incarna il prototipo della formazione d’avanguardia, sperimentale e intellettuale, con flirt dichiarati verso Edgare Varese e Steve Lacy, Messiaen e Cecil Taylor, Xenakis e Anthony Braxton. Tra le innumerevoli pubblicazioni a proprio nome, ...

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189

Album Review

Larry Ochs/Jean Jeanrenaud/Miya Masaoka: Fly Fly Fly

Read "Fly Fly Fly" reviewed by Clifford Allen

by Clifford Allen

Culled from the ranks of the Rova Saxophone Quartet, the Kronos Quartet and the ever-increasing pool of improvising koto players, the trio of tenor saxophonist Larry Ochs, cellist Joan Jeanrenaud and kotoist Miya Masaoka is a formidable ensemble in the annals of creative “chamber" music. The group's formation was, in fact, a natural progression of Maybe Monday (Ochs, Masaoka and guitarist Fred Frith) and Ochs' own work with Jeanrenaud, who found herself in the improvising world shortly after leaving Kronos ...

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