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About Larry Grenadier

3

Album Review

Olivier Le Goas & Reciprocity: Onramp Of Heaven Dreams

Read "Onramp Of Heaven Dreams" reviewed by Dan McClenaghan

by Dan McClenaghan

A blindfolded spin of French drummer Olivier Le Goas & Reciprocity's Onramp Of Heaven Dreams says the spirit of guitarist Pat Metheny is hanging around. The lineup—guitar, piano, bass and drums—mirrors that of Metheny's early ECM Records such as Watercolors (1977) and American Garage (1979), and the disc's title itself nods to Metheny's Offramp (ECM Records,1982). This in the year 2020, when Metheny released a career highlight, From this Place (Nonesuch Records). Olivier's sound has a clean, sharp-edged ...

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12

Album Review

Larry Grenadier: The Gleaners

Read "The Gleaners" reviewed by Karl Ackermann

by Karl Ackermann

Bassist Larry Grenadier has a most impressive resume: multiple recordings with Herbie Mann, Paul Motian, Charles Lloyd, trumpeter/brother Phil Grenadier, vocalist/wife Rebecca Martin, Chris Potter, Joshua Redman, Jamie Saft, and many others. His brand has long been enhanced by his stellar work with Pat Metheny and a twenty-plus-year association with Brad Mehldau. It's not surprising that Grenadier hasn't released a solo album, given the relative rarity of stand-alone bass recordings, but The Gleaners proves to be worth the wait.

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6

In Pictures

Montreal International Jazz Festival 2017

Read "Montreal International Jazz Festival 2017" reviewed by Dave Kaufman

by Dave Kaufman

The Montreal International Jazz Festival has just concluded its 38th year. I've been fortunate to have attended more than 30 of them and this year ranked among the best. I've covered the event as a photographer for All About Jazz since 2011. The festival is a total music immersion experience presenting some 600 concerts over the course of 11 days. It can be overwhelming and exhausting, but more often than not it is incredibly exhilarating. Some of the highlights of ...

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7

Album Review

Hudson - DeJohnette Grenadier Medeski Scofield: Hudson

Read "Hudson" reviewed by Roger Farbey

by Roger Farbey

Rightly vaunted as a 'supergroup,' specifically in the Tony Williams Lifetime mold, this eponymously titled band really does qualify as a super quartet, so much so that any background information on these four protagonists would seem superfluous. However it should be noted that John Scofield and John Medeski have teamed-up on occasion with Medeski, Martin & Wood and Scofield and Jack DeJohnette first played together forty years ago and more recently in their Trio Beyond with organist Larry Goldings.

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10

Album Review

Hudson: Hudson

Read "Hudson" reviewed by Doug Collette

by Doug Collette

It should come as no surprise that the 'super-group' Hudson have a sound so distinct it defies easy categorization. Percussionist Jack DeJohnette, bassist Larry Grenadier, keyboardist John Medeski and guitarist John Scofield are four individuals sharing an inclination for adventure tempered with a wealth of experience that imparts no small amount of humility to this collaborative effort: they know how to stay out of each other's way. Such practical virtues become further highlighted by the common thread of ...

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8

Album Review

Ethan Iverson, Lee Konitz, Larry Grenadier & Jorge Rossy: Costumes Are Mandatory

Read "Costumes Are Mandatory" reviewed by Greg Simmons

by Greg Simmons

Costumes Are Mandatory is very collegially advertised as a collaborative album featuring Ethan Iverson, Lee Konitz, Larry Grenadier, and Jorge Rossy. And while the music may indeed be collaborative, even multi-improvisational at times, it's Iverson's date and he's very clearly the leader. The record is envisioned as an homage to--"a dialogue with," according to the liner notes--the late blind pianist Lennie Tristano, who in addition to generally being credited as a founder of the 'cool school' (an oversimplification, ...

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46

Album Review

Brad Mehldau Trio: Ode

Read "Ode" reviewed by Ian Patterson

by Ian Patterson

Seven years separate Ode from this trio's last studio recording, the outstanding Day is Done (Nonesuch, 2005), which has come to mark a before-and-after in Brad Mehldau's trajectory. Previously, the pianist had recorded in a traditional trio setting with few exceptions. Since Day is Done, however, Mehldau's projects have covered much more diverse terrain: setting poetry to music with classical soprano Renée Fleming; rubbing shoulders with guitarist Pat Metheny; and blending classical and popular song with mezzo-soprano Anne Sofie von ...

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