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Kerry Politzer Quartet: Labyrinth

by AAJ Italy Staff
Labyrinth è il terzo album di Kerry Politzer, giovane pianista e compositrice che gode di una certa popolarità sulle scene newyorkesi, e che esordì come leader nel 2001, con Yearning. Il repertorio del disco si basa prevalentemente sulla samba up tempo, prendendo tuttavia in considerazione le composizioni in tre quarti (come Falling Through the Cracks"), quelle in cinque (che nel CD sono ben due, Paloma" e Hya"), le ballad (ne è un bell’esempio The End-), e il walking bass in ...
Continue ReadingKerry Politzer Quartet: Labyrinth

by Ken Franckling
Over the past few years, New England Conservatory graduate Kerry Politzer has emerged as one of the more interesting younger composers on the New York jazz scene. She leads a modern jazz trio and a Brazilian repertoire quartet to showcase her compositions. Labyrinth is her third release since 1999 and it draws from the best of those intersecting worlds: modern jazz with a Brazilian undercurrent. It's all original, often multi-layered material. Politzer is joined on this session by ...
Continue ReadingKerry Politzer Quartet: Labyrinth

by Michael P. Gladstone
The press release accompanying pianist/composer Kerry Politzer's third album professes her love of Brazilian music and straight-ahead jazz. We certainly hear some good examples of her approach to samba, but most of this album is squarely in the category of well developed mainstream jazz in a trio and quartet setting. Politzer is joined by Andrew Rathbun, dividing his time on tenor and soprano sax on half of this album, plus bassist Chris Higgins and drummer George Colligan. (Colligan is perhaps ...
Continue ReadingKerry Politzer Quartet: Labyrinth

by Dan McClenaghan
Pianist/composer Kerry Politzer's third CD as a leader, Labyrinth, is described as a set of Brazilian and jazz" originals. For this listener, the word Brazilian" evokes lilting rhythms and gentle melodies, but the disc's opener, Rhodes Rage," a fast samba, has more rage than gentleness. The tune proves itself a high-octane cooker, featuring Andrew Rathbun on tenor saxophone playing with some fiery swing. Politzer's solo--an extension of her sharp-edged opening--is an intricate, propulsive, percussive interlude, beautiful in an in-your-face fashion, ...
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by John Kelman
For her third outing as a leader, pianist/composer Kerry Politzer ups the ante by working with a couple of players who, while not exactly household names, have some cachet in the New York community. Chris Higgins, a lithe bassist with a tone not unlike Dave Holland's, may be as relatively unknown as Politzer, but saxophonist Andrew Rathburn has been establishing a reputation on a number of superb records for Spain's Fresh Sound New Talent label--both as a writer of cerebral ...
Continue ReadingKerry Politzer: Watercolor

by Javier AQ Ortiz
Quick and to the Point : Classy jazz trio music.
Watercolor features a happy coincidence between title and content. According to the Tallahassee Watercolor Society , the fleeting effects of nature" are best captured through watercolor's inherent luminosity" and capacity for rapid execution." The Jazzification of Classical aesthetics one finds in this oeuvre is conceived from conceptual and technical akin views and practices present in both the histories of jazz and watercolor, and well represented herein. A quick ...
Continue ReadingKerry Politzer: Yearning
by Javier AQ Ortiz
Quick and to the Point: Deserving jazz with a Brazilian unction.
Yearning is appropriately entitled and represented through the hands and intellect of Kerry Politzer. A yen to get down and just play –that is what she seems to be all about. One cannot be misled by the maternally peaceful and tender countenance offered in the cover as visual representation of her craft. She is a fiery player, even when the flames are tamed by early musical ...
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