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Jazz Articles about Jon Deitemyer
Matt Ulery: Mannerist

by Mike Jurkovic
There is a lilting magic to the music of Mannerist that is hard to deny or find fault with. The Bridge" starts and the whole day changes, eliciting, perhaps, a feeling of being lighter on the feet, lighter in spirit and, most importantly, lighter in the head. Suddenly all the information they want you to swallow goes away and its just you and the music. It is a beautiful thing. It is something bassist/composer/bandleader Matt Ulery sets out to do ...
Continue ReadingTracye Eileen: You Hit The Spot

by Richard J Salvucci
The death of the Great American Songbook as a vehicle for aspiring singers is sometimes announced. Someone should tell the singers. Because this season alone has seen a crop of good recordings, most of them reviewed in AAJ, and very favorably so in the main. Tracye Eileen, a Chicago vocalist with roots in the jazz community, continues the stream to good effect. While the recording is rather brief at 29 minutes, and the live section suggests an after-the-fact ...
Continue ReadingKevin Fort: Perspectives

by Edward Blanco
Pianist and composer Kevin Fort follows his extraordinary debut, Red Gold (CD Baby, 2014), with another tip of the hat to jazz standards and the modern tradition; Perspectives is a musical package nicely filled with new arrangements of six classics and four new originals, performed by a standard piano trio. For more than twenty years an in-demand player in Chicago's talent-rich jazz scene, Fort is also an educator, currently lecturing at the Northwestern University Bienen School of Music.
Continue ReadingTracye Eileen: You Hit the Spot

by Jack Bowers
You Hit the Spot is either the third or fourth album by sultry-voiced, Chicago-based vocalist Tracye Eileen. It was recorded in two sessions: one with a trio (and audience), the other with a sextet. She gets a good head start thanks to a splendid choice of material eight blue-chip tunes, all from the Great American Songbook. Eileen fares reasonably well with each of them, spreading a bluesy blanket over what are essentially straight-ahead renditions. She has excellent ...
Continue ReadingPatricia Barber: Clique

by Tyran Grillo
These time-honored songs, lovingly curated, arranged, and performed by pianist/vocalist Patricia Barber and her band, are at last seeing the light of day when the world needs them more than ever. Pristinely recorded, Clique assembles what began as encores to live performances into an experience all its own. The album comes out of the same sessions that gave us Higher (see review for All About Jazz here), which immersed the fortunate listener in a world shaped by art song and ...
Continue ReadingChad McCullough: Forward

by Paul Rauch
Trumpeter Chad McCullough has an identifiable soundhis striking, bold tonality, and his penchant for stark contrasts compositionally. His previous four releases on Origin Records, featured artists encountered during his tenure in the Pacific Northwest. His association with drummer and Origin founder, John Bishop, resulted in the formation of his quartet with Belgian pianist Bram Weijters. In two releases, Urban Nightingale (Origin, 2011), and Imaginary Sketches (Origin, 2011) he established a cerebral, pastoral sound of intriguing melodies presented in storyline fashion. ...
Continue ReadingChad McCullough: Forward

by Dan McClenaghan
Since his excellent recording debut under his own name, 2009's Dark Wood, Dark Water (Origin Records), trumpeter Chad McCullough has co-led a handful of forward-leaning discs with Belgian pianist Bram Weijters and one with Slovakian pianist Michal Vanoucek, in addition his work as sideman and his contributions to a few leaderless ensemble sets. Forward is just his second outing with his name on the album cover as the sole leader. His is a consistently strong catalog, but McCullough ...
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