Jazz Articles about John Wolf Brennan

like 125

John Wolf Brennan - Daniele Patumi: Time Jumps - Space Cracks

by Glenn Astarita
June 1, 2002

Recorded at an arts museum in Switzerland, the duo infuses easy to grasp, melodious pronouncements with chamber and avant-garde jazz sensibilities. However, pianist John Wolf Brennan (Ireland) and bassist Daniele Patumi (Italy) also intermix non-Western modalities into this beautifully constructed program. Known for their work with the multinational quartet, “Pago Libre,” the artists render interesting variations of generally, tuneful themes augmented by prepared bass and piano digressions. On, “Suite Arabique,” Patumi dishes out a pattern of complex bass lines for ...

like 85

John Wolf Brennan: Momentum

by Robert Spencer
December 1, 1999

This trio of pianist John Wolf Brennan, bass clarinetist Gene Coleman, and percussionist Christian Wolfarth are mainly interested on this disc in exploring sounds and textures and various possibilities of rhythm and dynamics. The Momentum of the title is honest and hard-won, for these performers are not relying on the already-realized potentials of steady rhythms for forward motion, but are attempting to establish new means of development and continuity.Some of the moments in this momentum are quite simply ...

like 88

John Wolf Brennan / Gene Coleman / Christian Wolfarth: Momentum

by Robert Spencer
December 1, 1999

This trio of pianist John Wolf Brennan, bass clarinetist Gene Coleman, and percussionist Christian Wolfarth are mainly interested on this disc in exploring sounds and textures and various possibilities of rhythm and dynamics. The Momentum of the title is honest and hard-won, for these performers are not relying on the already-realized potentials of steady rhythms for forward motion, but are attempting to establish new means of development and continuity.

Some of the moments in this momentum are quite simply astounding, ...

like 92

John Wolf Brennan: Momentum

by Glenn Astarita
November 1, 1999

Momentum is all about bare bones, raw – down to the nitty-gritty improvisations from the Trio of pianist John Wolf Brennan, Gene Coleman who performs on bassclarinet and melodica and percussionist Christian Wolfarth. The liners offer several different interpretations of momentum or – for the moment-whether literal, philosophical or pertaining to musical form or composition. From the opening statements of “Robots Don’t Cough” the duo of Brennan who performs on the prepared piano and percussionist Wolfarth delve into ...