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Jazz Articles about John Coltrane

69
Building a Jazz Library

John Coltrane: An Alternative Top Ten Albums

Read "John Coltrane: An Alternative Top Ten Albums" reviewed by Chris May


Miles Davis once said that you could recite the history of jazz in just four words: Louis Armstrong, Charlie Parker. To that you need to add two more: John Coltrane. A giant during his lifetime, Coltrane continues to shape jazz and inspire musicians decades after he passed. No other player has come remotely close to eclipsing him. New tenor saxophone stars such as Britain's Shabaka Hutchings, Josephine Davies and Binker Golding have Coltrane as their key formative influence, while Nubya ...

10
Album Review

John Coltrane: Giant Steps: Remastered & Super Deluxe Editions

Read "Giant Steps: Remastered & Super Deluxe Editions" reviewed by Chris May


A date for your diary... 18 September 2020. That is when Atlantic / Rhino releases two cracking new editions of John Coltrane's first landmark album, Giant Steps (Atlantic, 1960). The main event is enhanced audio quality, which has noticeably more presence than any previous reissue. The double CD and vinyl Remastered Edition and digital-only Super Deluxe Edition consist of material which has been newly remastered by John Webber at Air Studios in London. The Remastered Edition includes ...

6
Jazz Poetry

My Uncle Played The Sax

Read "My Uncle Played The Sax" reviewed by Louis Bryan


Russet face glistening from another realm, eyes dancing to, A Love Supreme, he be-bopped through my boyhood, fingering those keys like crazy, taking and making them notes his own, empyrean melodies to fill the whole room, my ears entirely, too-cool evocations of heroes who've remained mine, and so I still hear Charlie, John, Ornette, Rashan, Lester, all my ethereal idols whose music I first heard, coming from the bell of ...

10
Reassessing

Sonny's Crib

Read "Sonny's Crib" reviewed by C. Michael Bailey


From the outset, pianist Sonny Clark's sophomore effort as a leader is crisp, white-hot hard bop. Leading a standard bop trumpet-tenor saxophone quintet (Donald Byrd, John Coltrane), supplemented with trombone (Curtis Fuller), Clark and his most reliable rhythm section of bassist Paul Chambers and drummer Art Taylor carve five dictionary examples (with alternate takes on the CD) of the music evolving from bebop, principally on the East Coast (if we consider that cool jazz took root on the West Coast ...

6
History of Jazz

The John Coltrane Home in Philadelphia: The Fight to Preserve an Historic Landmark

Read "The John Coltrane Home in Philadelphia: The Fight to Preserve an Historic Landmark" reviewed by Victor L. Schermer


John Coltrane (1926-1967) was in the upper echelon of the greatest jazz musicians of all time. He, along with Louis Armstrong, Duke Ellington, Charlie Parker, Dexter Gordon, Miles Davis, and other innovators, changed the face of jazz forever. Beyond such encomiums, Coltrane has become a great African American hero, overcoming his heroin addiction, experiencing a spiritual awakening which he brought to realization in his devoted marriages to Naima and Alice Coltrane, their children, and music (the iconic albums A Love ...

7
Album Review

John Coltrane Quartet: Impressions: Graz 1962

Read "Impressions: Graz 1962" reviewed by Mark Corroto


This live concert is a welcome excuse to go to your happy place. Sixty years after John Coltrane's quartet toured Europe, this radio broadcast with its excellent audio fidelity opens like a capsule. Both a time capsule and a seed capsule, one that continues to pollinate today's music. The year was 1962 and Coltrane had formed his classic quartet with pianist McCoy Tyner, bassist Jimmy Garrison, and drummer Elvin Jones. Of course the “classic" designation would come later, ...

8
Radio & Podcasts

John Coltrane: The Final Act (1961-1967)

Read "John Coltrane: The Final Act (1961-1967)" reviewed by Russell Perry


John Coltrane is undoubtedly one of the most influential players in the history of jazz, yet his important work fits within a brief twelve-year period (1955--1967). Previously in this series we have covered his work in the 1950s with Miles Davis for Prestige and Columbia, his blowing sessions on Prestige, his solo work with Blue Note (Blue Train), his breakout recordings for Atlantic (Giant Steps) and his collaborations with Duke Ellington and Johnny Hartman. In this hour, we will focus ...


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