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John Coltrane: A Love Supreme - Live In Seattle

by Mike Jurkovic
John Coltrane was moving faster than the speed of sound in 1965. Besides divining his place within the music, the world, his God, he was touring; a two week gig with Thelonious Monk at the Village Gate led to Newport then into a frenetic week in Europe. With the classic quartet plus Archie Shepp, Art Davis and Freddie Hubbard he had just completed the mind-bending sonic assault Ascension (Impulse!, 1966). That anyone could keep up with him or think one ...
Continue ReadingNew releases plus a live recording of A Love Supreme

by Bob Osborne
This week's show features new releases from Bob Gorry, Dave Mullen, Jared Schonig, Nabou, Javier Subatin and live music from Roy Campbell with John Dikeman, Raoul van der Weide, Peter Jacquemyn, and Klaus Kugel. To kick things off, a taster from a previously unreleased live recording of John Coltrane playing A Love Supreme."Playlist John Coltrane_"A Love Supreme, Pt. IV -Psalm" from A Love Supreme -Live In Seattle 1965 (Impulse) 00:00 Bob Gorry Safecracker" from GoBruCcio (NHIC Records) 08:33 Dave Mullen Ensemble ...
Continue ReadingJohn Coltrane: Chasin' The Trane Revisited

by Chris May
A high-tide moment in jazz history, John Coltrane's November 1-5 1961 engagement at New York's Village Vanguard was exhaustively documented on a series of Impulse albums during the 1960s and 1990s. Those discs have now, in autumn 2021, been supplemented by the Swiss-based ezz-thetics label's magnificent Chasin' The Trane Revisited. Before examining the new album, it is worth getting its provenance straight... The first Impulse album, Live At The Village Vanguard, was released in 1962; it comprised what ...
Continue ReadingJohn Coltrane: A Love Supreme - Live In Seattle

by Chris May
A Love Supreme: Live In Seattle comes from a gig at The Penthouse in October 1965. The recording, by a septet, is a radical reading of : John Coltrane's suite which has only previously been heard by friends and students of saxophonist and educator Joe Brazil, who taped it and who, few days earlier, had played flute on Coltrane's Om (Impulse, 1968). Brazil passed in 2008 and by a route not yet made public, the tape has been acquired and ...
Continue ReadingRichard Brent Turner on Islam, Jazz and Black Liberation

by Lawrence Peryer
Richard Brent Turner is Professor in the Department of Religious Studies and the African American Studies Program at the University of Iowa. Since joining the faculty in 2001, Professor Turner has authored several books, including Jazz Religion, The Second Line, and Black New Orleans, New Edition (Indiana University Press, 2016), and Islam in the African-American Experience, Second Edition (Indiana University Press, 2003). The 2020 American Council of Learned Societies Fellow is also author of Soundtrack to a Movement: African American ...
Continue ReadingJohn Coltrane: Top Ten Live Albums

by Chris May
This article is a companion piece to John Coltrane: An Alternative Top Ten Albums, which listed ten albums widely regarded as essential items in John Coltrane's discography and discussed another ten of comparable importance. John Coltrane: Top Ten Live Albums narrows the focus to club and concert recordings. Coltrane's live performances had a trajectory which was largely independent of his studio albums; he did not build set lists around his latest release. For instance, Coltrane never toured" ...
Continue ReadingJohn Coltrane: An Alternative Top Ten Albums

by Chris May
Miles Davis once said that you could recite the history of jazz in just four words: Louis Armstrong, Charlie Parker. To that you need to add two more: John Coltrane. A giant during his lifetime, Coltrane continues to shape jazz and inspire musicians decades after he passed. No other player has come remotely close to eclipsing him. New tenor saxophone stars such as Britain's Shabaka Hutchings, Josephine Davies and Binker Golding have Coltrane as their key formative influence, while Nubya ...
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