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About John Coltrane

732

Extended Analysis

John Coltrane: Side Steps

Read "John Coltrane: Side Steps" reviewed by Chris May

by Chris May

John Coltrane Side Steps Prestige Records 2009 The 5-CD Side Steps follows two other Prestige box sets--the 6-CD Fearless Leader (2006) and 5-CD Interplay (2007)--which together catalogue saxophonist John Coltrane's recordings for the label 1956-58. The three boxes, each packed with extraordinary music, chronicle on parallel paths the years during which Coltrane's revolutionary style began to emerge, but before he achieved iconic status first, from 1959, on Atlantic, and then, from ...

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331

Album Review

John Coltrane: Kulu Se Mama

Read "Kulu Se Mama" reviewed by Chris May

by Chris May

A vibrant and accessible album from saxophonist John Coltrane's late-middle period, Kulu Se Mama has been only fitfully on catalogue since its original release in early 1967, and has tended to be overlooked in favor of near contemporaneous works like A Love Supreme (Impulse!, 1965) and Ascension (Impulse!, 1966), elements from both of which it reprises. Kulu Se Mama was included in Verve's Originals series' five-disc box set, John Coltrane: The Impulse! Albums Volume 3 earlier in 2009, and is ...

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596

Multiple Reviews

Coltrane Tributes: Jamaaladeen Tacuma, Khan Jamal, Azar Lawrence & Joel Holmes

Read "Coltrane Tributes: Jamaaladeen Tacuma, Khan Jamal, Azar Lawrence & Joel Holmes" reviewed by Marc Medwin

by Marc Medwin

Jamaaladeen TacumaColtrane ConfigurationsJazzwerkstatt2009 Khan JamalImpressions of ColtraneSteepleChase2009 Azar LawrenceLegacy and Music of John ColtraneClarion Jazz2009 Joel HolmesAfrican SkiesBlue Canoe2009 John Coltrane was revered during his all-too-brief career and in the 42 years since his death, his legacy has ...

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868

Extended Analysis

John Coltrane: The Impulse! Albums - Volume Three

Read "John Coltrane: The Impulse! Albums - Volume Three" reviewed by Chris May

by Chris May

John Coltrane The Impulse! Albums - Volume Three Impulse! 2009

With this latest edition of the Originals box sets collecting saxophonist John Coltrane's albums for the Impulse! label, the series reaches the critically-polarised period immediately following the release of A Love Supreme (Impulse!, 1965). Five albums are included--The John Coltrane Quartet Plays, Ascension, New Thing At Newport, Kulu Se Mama and Meditations.

All these albums were recorded during 1965, and ...

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506

Album Review

Thelonious Monk: Thelonious Himself

Read "Thelonious Himself" reviewed by Stuart Broomer

by Stuart Broomer

When producer Orrin Keepnews undertook this album for Riverside in 1957, Thelonious Monk had recorded relatively little as a solo pianist--nine tracks for French Vogue in 1954 and single tracks on Prestige and Riverside LPs. While the Vogue had emphasized Monk's originals and the single tracks were all old tunes, Thelonious Himself (Riverside/OJC, 1957) balanced his unique approach to standards with striking performances of originals. Whether fragmented, dissonant or oddly hesitant, Monk's probing (the usage is literal, heard in the ...

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442

Album Review

John Coltrane: Dakar

Read "Dakar" reviewed by Chris May

by Chris May

Often cited as saxophonist John Coltrane's first album as leader, Dakar--recorded on April 20, 1957--is a usurper. Originally credited to the Prestige All Stars (and released as part of a short-lived experiment with 16-rpm discs), it was only credited to Coltrane on its re-release in 1963, when the saxophonist's star was firmly in the ascendant. The Dakar session was one of several Coltrane appeared on as a sideman that week--on the 16th with pianist Thelonious Monk, on the 18th with ...

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452

Album Review

John Coltrane: Turning Point

Read "Turning Point" reviewed by Nic Jones

by Nic Jones

The music collected here comes from a period of Coltrane's career, namely the closing years of the 1950s, which so many tenor sax players have latched on to in the decades since. At that stage in his own musical evolution Coltrane's playing was developing that singular edge that was to be the hallmark of the final decade of his life, albeit whilst working within the hard bop parameters he was destined to move well outside of. He ...

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