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Jazz Articles about Joel Frahm
About Joel Frahm
Instrument: Saxophone, tenor
Related Articles | Concerts | Albums | Photos | Similar ToJoel Frahm: The Bright Side
by Dan McClenaghan
Chordless trio recordings featuring saxophone, bass and drums, no piano or guitar in the building, always draw comparisons to 1957 when a pair of the groundbreakers of the genre were recorded by saxophonist Sonny Rollins with A Night At The Village Vanguard (Blue Note Records, 1958) and Way Out West (Contemporary, 1957). Saxophonist Joel Frahm obviously looked back to that time, having transcribed and memorized Rollins' solo on “Softly As In A Morning Sunrise" (from the Village Vanguard album) as ...
read moreSusan Tobocman: Touch & Go
by Nicholas F. Mondello
A glance at the song list presented here--some rather unique choices, for sure--could lead one to assume that this album warrants a listen. What really slams things home, however, are Susan Tobocman's exceptionally slick arrangements of said selections, her excellent vocal skills, and some fine solo playing. With Touch & Go Tobocman—a Detroit native and now a New Yorker--offers five originals which are enveloped by a number of Top 40 re-imagined hits and a trio of standards ...
read moreSusan Tobocman: Touch & Go
by Troy Dostert
A triple-threat musician with significant talent as a vocalist, composer and arranger, Susan Tobocman's path to jazz was an unconventional one. Her early interest in poetry led to a scholarship that took her from her hometown, Detroit, to New York, for study at Columbia University. That in turn led to an interest in musical theater, followed by a stint managing the Jimi Hendrix-founded Electric Lady Studios, and then some touring work with the Tom Tom Club. Only afterward, during her ...
read moreJohn Sneider: The Scrapper
by Jack Bowers
If you expected a trumpeter whose nickname is “Scrapper" to come out swinging on his first album as leader in twenty years, give yourself a gold star and a hearty pat on the back. That is precisely the modus operandi on The Scrapper, wherein New York-based John Sneider leads a first-rate quintet through its paces on what in many respects seems like a homecoming, as everyone save tenor saxophonist Joel Frahm was present and accounted for on Sneider's earlier recording ...
read moreErnesto Cervini's Turboprop: Abundance
by Dan McClenaghan
Delve into Toronto-based drummer Ernesto Cervini's discography and you find an artist who seems to be trying to be a force for good in the world. His CD releases feature his Ernesto Cervini Quartet, MEM3, Myraid3, and Turboprop (and others, for he is prolific). His is a sound that brims with buoyancy, whether it's a trio outing or a sextet. Abundance is the Turboprop sextet's third outing. The group could be considered Cervini's nod to the Art Blakey ...
read moreErnesto Cervini's Turboprop: Rev
by Dan McClenaghan
The Toronto-based septet Turboprop serves, in part, as an arrangement-expanding vehicle for drummer/leader Ernesto Cervini. With his work in two ongoing, outstanding trio's—MEM3 and Myriad3—Cervini helps shape modernist jazz in the piano trio mode. Turboprop, with its three horn front line—two saxophones and a trombone—gets the chance to stretch his arranging chops, with Rev, the group's sophomore effort. Cervini is a guy who wears his joy on his sleeve. His approach—with Turboprop especially—is busy, orchestral. It is not ...
read moreErnesto Cervini: Turboprop
by Edward Blanco
Toronto jazz drummer Ernesto Cervini presents his fourth album as leader with the high-flying Turboprop offering a sophisticated modern jazz sound in a ten-piece repertoire of originals and standard material from the likes of Charlie Parker and Keith Jarrett among others. A robust drummer with a forceful presence on the drums, Cervini's style is reminiscent of the great Art Blakey, Billy Higgins and to a much lesser degree, even drawing comparisons to the power style of fusion jazz drummer Billy ...
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