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Jazz Articles about Joe Fonda

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Album Review

The Nu Band: In Memory of Mark Whitecage: The Nu Band Live At The Bopshop

Read "In Memory of Mark Whitecage: The Nu Band Live At The Bopshop" reviewed by Mike Jurkovic


The fearless improvised legacy of veteran, free bop sax man Mark Whitecage may not hold a prominent place in the immediate lexicon of upstarts and legends, but the man could blow his horn. Whitecage could dice and slice a piece of music, solemn or otherwise, to shreds with his sharp metallic, testosterone tone then reassemble it seamlessly with his long, flowing phrases. So it is fitting and more than welcome that he brings it big time on this final recording ...

3
Album Review

Nu Band: In Memory of Mark Whitecage: The Nu Band Live At The Bopshop

Read "In Memory of Mark Whitecage: The Nu Band Live At The Bopshop" reviewed by Troy Dostert


One of the underappreciated veterans of free jazz, Mark Whitecage passed away in March of 2021, leaving a well-established legacy of strong recordings in which his searing yet soulful alto saxophone merged with many of the more visible figures on the scene. Joe McPhee, Anthony Braxton, and Annette Peacock are just a few of the luminaries who partnered with Whitecage over the years. Perhaps his most fruitful period was the late 1990s and early 2000s, alongside the musicians in the ...

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Album Review

The Nu Band: In Memory of Mark Whitecage: The Nu Band Live At The Bopshop

Read "In Memory of Mark Whitecage: The Nu Band Live At The Bopshop" reviewed by Dan McClenaghan


Multiple reedman Mark Whitecage (1937-2021) may not have enjoyed the profile he deserved, but he was an extraordinary improvisational free-jazz force who recorded prolifically for CIMP Records. Bassist Joe Fonda, a member of Whitecage's Nu Band, enjoyed a forty year musical involvement with the man, and In Memory Of Mark Whitecage: The Nu Band Live At The Bop Shop is Fonda's posthumous tip of the hat to his old running mate. It is a recording bursting with the lifeforce --one ...

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Album Review

Barry Altschul's 3Dom Factor: Long Tall Sunshine

Read "Long Tall Sunshine" reviewed by John Sharpe


Even deep into a career which began with the Jazz Composers Orchestra and pianist Paul Bley in the 1960s, drummer Barry Altschul's music remains vital and compelling. Since 2010 his primary leadership outlet has been The 3Dom Factor, a freewheeling threesome completed by bassist Joe Fonda and reedman Jon Irabagon. Long Tall Sunshine, a live date from an unspecified year and location, constitutes the band's fourth album. While the repertoire might be familiar— four of the five cuts also appear ...

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Album Review

Barry Altschul: Long Tall Sunshine

Read "Long Tall Sunshine" reviewed by Mike Jurkovic


Be ye player or observer, we all crave to experience, shape and seize the untamed virtuosity of the moment. The absolute here and now. You want your attention commanded away by the manic sounds of humans creating a noise, a language that didn't exist mere minutes ago. So check out Long Tall Sunshine, drum master Barry Altschul}'s fourth entry in his trio of extra/ultra live action Tum Records recordings with bassist {{m: Joe Fonda and saxophonist Jon Irabagon ...

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Album Review

Barry Altschul and the 3Dom Factor: Long Tall Sunshine

Read "Long Tall Sunshine" reviewed by Karl Ackermann


For a two-decade stretch beginning in 1971, free jazz drummer Barry Altschul was positioned among the most in-demand percussionists. He made his mark in the fleeting but important group Circle, with Chick Corea, Dave Holland and Anthony Braxton. Among the many cutting-edge artists he worked with were Andrew Hill, and Paul Bley. And then, for almost twenty years, the virtuoso musician/composer all but disappeared. Altschul re-emerged with The 3dom Factor in 2013, and the drummer is once again a prolific ...

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Album Review

Barry Altschul's 3Dom Factor: Long Tall Sunshine

Read "Long Tall Sunshine" reviewed by Dan McClenaghan


Drummer Barry Altschul and his chordless 3Dom Factor--featuring reedman Jon Irabagon and bassist Joe Fonda--know how to lay down a rip-snorter. Long Tall Sunshine opens with the title tune, an in-your-face, three-way melee that introduces the group's fourth album in a characteristically steroidal, free-swinging style, throwing blows from all angles. Recorded live, “somewhere in Europe," (record keeping does not seem to be one of the group's strengths), the opening one-two punch of the title tune and “The 3Dom ...


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