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Jazz Articles about Joe Farnsworth

18
Album Review

Gabriel Latchin Trio: The Man I Love

Read "The Man I Love" reviewed by Neil Duggan


In the 1920s and '30s, American composer and pianist George Gershwin, together with his lyricist brother Ira, composed a body of work that bridged classical compositions and popular songwriting. Their sophisticated melodies and lyrics produced dozens of enduring jazz standards that have formed a cornerstone of the American Songbook for nearly a century. With these songs recorded thousands of times, one might question whether there is a need for further interpretation. However, pianist Gabriel Latchin's trio brings such fresh insights ...

30
Album Review

Jacob Chung: The Sage

Read "The Sage" reviewed by Jack Bowers


On The Sage, his second album as leader, Canadian-bred saxophonist Jacob Chung lends credence to a speculative yet widely held belief that contempory jazz continues to grow and prosper north of the American border. Chung is no mere hobbyist, nor are his veteran helpmates --one of whom, alto saxophonist Vincent Herring, has been a force on the New York jazz scene for more than four decades, recording at least twenty albums under his name and appearing as a sideman on ...

34
Album Review

Anthony Stanco: Stanco's Time

Read "Stanco's Time" reviewed by Jack Bowers


Anthony Stanco. Keep the name in mind, as you are likely to hear it mentioned soon enough as the most recent link in a chain of renowned bop trumpeters that started with Dizzy Gillespie and has numbered among its illustrious members Clifford Brown, Miles Davis, Lee Morgan, Freddie Hubbard, Donald Byrd, Carmell Jones and a host of other luminaries. Now, after a lengthy period during which no one stepped forward to assume the mantle of bop trumpeter extraordinaire, and as ...

8
Liner Notes

One For All: Big George

Read "One For All: Big George" reviewed by C. Andrew Hovan


The world has changed dramatically since the end of the 20th century, the time period when the jazz collective One For All began to forge their stamp on the history of hard bop. Using the club Augie's on New York's upper west side as their stomping grounds, the group would make their debut recording at the beginning of 1987. The Broadway club would eventually become home of Smoke, one of the gems of the city's jazz scene and continued purveyor ...

Album Review

Jim Snidero: For All We Know

Read "For All We Know" reviewed by Alberto Bazzurro


Jim Snidero, californiano, sessantasei anni, collaborazioni che vanno da Tom Harrell a Frank Sinatra, è senza dubbio alcuno uno dei massimi paladini del mainstream jazz fin dai secondi anni Ottanta. Questo suo nuovo lavoro, inciso nell'ottobre 2023 nella tutto sommato singolare (nonché stimolante) formazione del trio senza pianoforte (o chitarra che sia), conferma appieno tale assioma, navigando su temi anche fra i più noti della letteratura jazzistica (nessun original), affrontati col giusto piglio e un'assoluta padronanza lessicale. ...

4
Album Review

Bruno Montrone Trio: Unaware Beauty

Read "Unaware Beauty" reviewed by Nathalie Tamara Freson


Bruno Montrone is definitely a name to keep in sight. Although still fairly young, Montrone has been very active as a side man, accompanying the likes of Enrico Rava, Kurt Rosenwinkel and Rachel Gould among others. Unaware Beauty is his debut album as a leader. And it is an engaging album that beckons more from this talented pianist. Montrone teams up with Giulio Scianatico on double bass (a member of the Italian group Wasted Generation, highly influenced by ...

43
Album Review

Jeff Rupert: It Gets Better

Read "It Gets Better" reviewed by Jack Bowers


Florida-based tenor saxophonist Jeff Rupert leads a superlative quartet on It Gets Better, a graceful and charming album recorded September 2021 at the renowned Van Gelder Studio in New Jersey. While comparisons to other musicians are as a rule less than viable, the striking similarities between Rupert and the late jazz giant Stan Getz cannot simply be overlooked or ignored. As John Coltrane once said of Getz, “We'd all sound like that if we could." Not only can Rupert sound ...


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