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Jazz Articles about Jim Alfredson
About Jim Alfredson
Instrument: Organ, Hammond B3
Related Articles | Concerts | Albums | Photos | Similar ToLee Heerspink: Monsters' Impromptu
by Jack Bowers
There is ample energy and enthusiasm on Michigan-based guitarist Lee Heerspink's debut recording, Monsters' Impromptu, which consists of seven of the leader's funk/fusion-based compositions performed by an admirable quintet whose members are clearly in sync with Heerspink's assertive point of view, and lend him their unflagging support. Six of the seven compositions are bright, buoyant anthems in the time-tested guitar and organ tradition. The exception is the ballad Rinse Cycle," on which Heerspink shows his sentimental side, ...
read moreMichael Dease: Give It All You Got
by Kyle Simpler
Jazz guitarist Kenny Burrell once discussed his views on playing music by making a point that, you are unique, be yourself, put out that thing that is you, then use your work ethic and produce great music." Trombonist Michael Dease embodies the spirit of Burrell's statement. Dease is a dedicated musician who is rapidly making a name for himself as both a recording artist and an educator. He won the Downbeat Critics Poll for rising star trombonist along with winning ...
read moreOrganissimo: B3tles: A Soulful Tribute To The Fab Four
by C. Andrew Hovan
When one thinks of jazz cities responsible for contributing some of the music's most important artists, Detroit is always a name that pops up at the top of the list. A short list of icons who hail from the city would have to include Ron Carter, the Jones Brothers, James Carter, Pepper Adams, Louis Hayes, and many more. Truth be told, Michigan in general is a fertile area for budding musicians of all persuasions and many fine college programs contribute ...
read moreOrganissimo: B3tles: A Soulful Tribute To The Fab Four
by Dan McClenaghan
Guitarist Grant Green was one of the early birds on this: turning Beatles tunes into soulful jazz workouts, with his I Want to Hold Your Hand (Blue Note, 1965), featuring Hammond organ master Larry Young on the B3, recorded a little over a year after the Fab Four's musical invasion of America. But it was mostly a jazz standards/Great American Songbook outing, with only the opener/title tune nodding to the--ultimately--most influential of pop music groups. Now, fifty years ...
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