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Mike LeDonne: The Heavy Hitters
by Mike Jurkovic
Homing in on the electric, ancestral vibe of Rudy Van Gelder's house of musical myth and magic in Englewood Cliffs, New Jersey, the Heavy Hitters, spearheaded by journeyman pianist Mike LeDonne and well-traveled saxophonist, Eric Alexander, approach this eponymous debut with a ballsy, brassy, big sounding blueprint which carries through the entire recording. In deciding who best to share Van Gelder's hallowed space with, LeDonne and Alexander brought in the big guns--namely trumpeter Jeremy Pelt, alto saxophonist Vincent ...
Continue ReadingMike LeDonne: The Heavy Hitters
by Pierre Giroux
There was a period back in the middle years of the 20th Century and beyond when All-Star Groups were quite common, including the Buck Clayton All-Stars, Howard Rumsey's Lighthouse All-Stars, and Gene Harris and the Phillip Morris Superband among several other similar aggregations. In today's musical environment, this kind of coming together of high profile musicians is exceedingly rare, primarily driven by cost issues, although availability of the musicians is also a limiting factor. Pianist & organist Mike LeDonne was ...
Continue ReadingThe Heavy Hitters: The Heavy Hitters
by Jack Bowers
The Heavy Hitters. Hyperbole? A matter of fact? Or simply the name given by co-leaders Mike LeDonne and Eric Alexander to their newly minted sextet. The third statement is true--but so is the second. From pianist LeDonne and tenor saxophonist Alexander to fellow front-liners Jeremy Pelt (trumpet) and Vincent Herring (alto sax) and the Washingtons, Peter on bass and Kenny at the drums, these gentlemen are by any measure heavy hitters. Their first album as a unit ...
Continue ReadingThe Heavy Hitters: Heavy Hitters
by Troy Dostert
The self-titled debut from the Heavy Hitters, pianist Mike LeDonne's latest sextet, has the feel of a tribute album. However, unlike most recordings of that nature, there is no classic repertoire present, as all nine tracks are penned either by LeDonne or his colleague, tenor saxophonist Eric Alexander. Instead, it is a tribute to a sound that LeDonne and partners are aiming for: in this case, that of the iconic Blue Note label's 1950s-60s period, when artists such as Freddie ...
Continue ReadingAdam Shulman: Just The Contrafacts
by Pierre Giroux
For those who may be scratching their heads about the word contrafact, in the jazz medium it designates a musical composition in which a new melody is overlaid on a familiar harmonic structure. This form really became prominent in the bebop era, where the artists (who were generally short of financial resources) could create new compositions over which they could improvise and record without worrying about paying royalties for copyrighted materials. During the depths of the ...
Continue ReadingJeremy Pelt: Soundtrack
by Jack Bowers
Although Soundtrack is the name of trumpeter Jeremy Pelt's latest album (more about that in a moment), there is another selection that more readily summarizes Pelt's lyric philosophy: “I Love Music." And while there is ample contrast, camaraderie and color on the album, there is no doubt that Pelt's clear and creative commentaries are the focal point. As for that title, “Soundtrack" is simply the name of a twenty-year-old ballad written for but never recorded by one of Pelt's earlier ...
Continue ReadingVarious Artists: Black Lives - From Generation to Generation
by Glenn Astarita
Indeed, African Americans are the architects of several musical formations, hearkening back to Scott Joplin's development of 'ragged' rhythms i.e., Ragtime, along with blues, funk, jazz, and other genres, often evolving into various tangents and offshoots. And on this comprehensively entertaining set produced by Belgian Stefany Calembert with assistance from her husband and acclaimed bassist Reggie Washington, they righteously bestow Black Music as a “source of moral truth and potent weapon against racism." Numerous stars such as saxophonist ...
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