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Jazz Articles about Jason Adasiewicz

256
Album Review

Jason Adasiewicz's Rolldown: Varmint

Read "Varmint" reviewed by Mark Corroto


Jason Adasiewicz's quintet Rolldown, has been together since 2004, and Varmint, its second release, again invites you into Mr. Peabody's “wayback machine" (from The Rocky And Bullwinkle Show of the 1960s) to explore ancient history with a modern ear. That ancient history is the 1960's New Thing, and our explorers are armed with the knowledge of just how that story ended.Adasiewicz, a prime player in the continual resurgence of Chicago jazz, can be heard with Josh Berman (Old ...

262
Album Review

Jason Adasiewicz's Rolldown: Varmint

Read "Varmint" reviewed by Troy Collins


Varmint is the sophomore follow up to Rolldown (482 Music, 2008), the self-titled debut of vibraphonist Jason Adasiewicz's quintet. Inspired by the avant-garde innovations of such late 1960s Blue Note recording artists as Eric Dolphy, Andrew Hill, Bobby Hutcherson, Jackie McLean, and Grachan Moncur III, Adasiewicz continues to explore the tenuous divide between inside and outside forms, while gradually developing his own sound.

From supple kaleidoscopic shadings to ringing, metallic cascades, Adasiewicz's dynamic versatility as an improviser has ...

257
Album Review

Jason Adasiewicz: Rolldown

Read "Rolldown" reviewed by John Sharpe


Vibraphonist Jason Adasiewicz has likely listened to a lot of Monk. Not that this adventurous quintet outing is another addition to the already crowded oeuvre of Monkian repertory, but more because the disjointed rhythms, odd suspensions, long tones and variable tempos echo the late pianist's angularity and obliqueness.

This set was recorded back in 2005, following a year's sabbatical during which Adasiewicz composed the seven pieces heard here (actually eight when you include the video only “Hide"), begging the question ...

352
Album Review

Jason Adasiewicz: Rolldown

Read "Rolldown" reviewed by Troy Collins


Former indie rock drummer turned jazz vibraphonist, Jason Adasiewicz has slowly but surely made his mark on the vibrant Chicago jazz scene. With musical roots in the alt-country circuit, the former drummer for Pinetop Seven and singer Edith Frost is now a regular sideman to Fred Lonberg-Holm, Rob Mazurek, Nicole Mitchell, Mike Reed and Ken Vandermark.

The self-titled debut of his Rolldown ensemble shares more than a passing similarity to the classic mid-60s Blue Note sessions of such ...

234
Album Review

Jason Adasiewicz: Rolldown

Read "Rolldown" reviewed by Mark F. Turner


Vibraphonist Jason Adasiewicz, is one of a number of rising new vibe players of particular note, including Mike Pinto, Dan McCarthy, Chris Dingman. His percussive, piano-like abilities on the instrument are perceptibly clear on his aspiring debut, Rolldown, leading his working band of the same name--Josh Berman (cornet), Aram Shelton (reeds), Jason Roebke (bass) and Frank Rosaly (drums); all of whom are a part of the vibrant Chicago progressive music scene.While the recording draws clear influences from 1960s ...

274
Album Review

Jason Adasiewicz: Rolldown

Read "Rolldown" reviewed by Mark Corroto


The sons of the sons of sons of the Chicago sound are expanding an ever mushrooming jazz scene. Please thank whatever god(s) to whom you voice your appreciation for these gifts of new music.

Vibraphonist Jason Adasiewicz has been heard in numerous projects including Guillermo Gregorio Trio, Rob Mazurek's Exploding Star Orchestra, and bands led by Nicole Mitchell, Ken Vandermark and Fred Lonberg-Holm. He has also backed rock groups Pinetop Seven, Central Falls, and Calexico.

Lately ...

311
Multiple Reviews

New Chicago Underground: Jason Adasiewicz and Tigersmilk

Read "New Chicago Underground: Jason Adasiewicz and Tigersmilk" reviewed by Clifford Allen


It is sometimes said that what separates Chicago from other music towns is a wide-open expansiveness in the music's sound, as compared to the condensed urbanity of New Yorkers. But something more poignant comes through when talking with some Chicago musicians--that no matter what the subset, there's a feeling that the Chicago playing field is a lot more about a collective sense than individual soloists. Jason Adasiewicz Rolldown 482 Music 2008

Rolldown ...


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