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Jazz Articles about Jakob Bro

8
Album Review

Jakob Bro: Hymnotic/Salmodisk

Read "Hymnotic/Salmodisk" reviewed by Jakob Baekgaard


The exploration of different musical formats has been one of the defining characteristics of Danish guitarist Jakob Bro for a long time. It makes perfect sense when you think about Bro's approach to music. He is an artist that likes to work with different voices to see what they can bring to the music. Back in 2008, Bro introduced a nonet that was documented on the live-recording White Rainbow (Loveland Records, 2008). Many of the musicians that ...

12
Live Review

Jakob Bro, Lee Konitz, Bill Frisell, Thomas Morgan at DR Koncerthuset Copenhagen

Read "Jakob Bro, Lee Konitz, Bill Frisell, Thomas Morgan at DR Koncerthuset Copenhagen" reviewed by Henning Bolte


Jakob Bro, Lee Konitz, Bill Frisell and Thomas Morgan DR Koncerthuset (Danish Broadcasting Corporation) Balladeering tour Copenhagen, DenmarkMay 15, 2015 In Copenhagen on May 15th, at the new concert hall of the Danish Broadcasting Corporation: acclaimed Danish film director Jørgen Leth welcomed an audience of 800 spectators to announce the closing segment of the “Balladeering" tour by Jakob Bro, Lee Konitz, Thomas Morgan and Bill Frisell Ina Denmark (Aarhus, Copenhagen), Iceland (Reykjavik), Norway (Oslo), ...

2
Live Review

Jakob Bro, Lee Konitz, Bill Frisell and Thomas Morgan at Musikhuset Aarhus

Read "Jakob Bro, Lee Konitz, Bill Frisell and Thomas Morgan at Musikhuset Aarhus" reviewed by Jakob Baekgaard


Jakob Bro, Lee Konitz, Bill Frisell and Thomas Morgan Musikhuset Aarhus Aarhus, Denmark May 9, 2015 Great music gives great expectations. When it was announced that Danish guitarist Jakob Bro was going on tour with the core of players responsible for the musical magic on his trilogy: Balladeering (Loveland Records, 2009), Time (Loveland Records, 2011) and December Song (Loveland Records, 2013), it was a promise of a singular opportunity to encounter the chemistry between ...

10
Album Review

Jakob Bro: Gefion

Read "Gefion" reviewed by Jakob Baekgaard


Throughout his career, Danish guitarist Jakob Bro has continued to refine and improve his musical expression. It has been a constant search that has taken him in many different directions, from the refined chamber-playing and melodic purity on the Balladeering-trilogy to remix experiments with electronic musician Thomas Knak. Another way he has challenged himself is through the exploration of different musical formats. Gefion sees him returning to the trio-format that he has previously explored successfully with bassist ...

8
Live Review

Jakob Bro, Lee Konitz, Bill Frisell and Thomas Morgan at Mengi

Read "Jakob Bro, Lee Konitz, Bill Frisell and Thomas Morgan at Mengi" reviewed by Ian Patterson


Jakob Bro, Lee Konitz, Bill Frisell, Thomas Morgan Mengi Reykjavík, Iceland May 8, 2015 (2nd show) “I've been waiting for this moment for a long time," said guitarist Jakob Bro to the small, tightly packed audience at Mengi, a vibrant new arts space in downtown Reykjavik. This tour--which besides Iceland also made stops in Denmark, the Faroe Islands, Norway and Greenland--had been some time in coming, for all concerned. It's been ...

3
Album Review

Jakob Bro: Gefion

Read "Gefion" reviewed by Vincenzo Roggero


I primi centottanta secondi sono quasi impercettibili. Non è una questione di volume, ma di estetica, di dichiarazione di intenti. Jakob Bro si presenta così in Gefion sua prima fatica discografica per ECM, il silenzio, lo spazio, il suono, il Rainbow Studio di Oslo come compagni di viaggio al pari del batterista Jon Christensen e del contrabbassista Thomas Morgan. Compagnia tutt'altro che agevole, bisogna essere convincenti sulle cose da dire e sul modo di raccontarle, il rischio ...

27
Extended Analysis

Gefion

Read "Gefion" reviewed by John Kelman


It's been a long time coming. Jakob Bro made his first ECM appearance as a member of drummer Paul Motian's twin-sax/triple-guitar band on the late drummer's Garden of Eden (2006). Three more years passed before he returned, this time as a member of Tomasz Stanko's trans-European quintet on 2009's Dark Eyes--a group that evolved considerably from its early performance at Norway's 2009 Molde International Jazz Festival to a far more confident showing a year later at the TD Ottawa Jazz ...


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