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Harry Miller's Isipingo: Which Way Now
by John Kelman
The remarkably large and intersecting jazz and progressive rock community of late-'60s and early-'70s England is enough to give any discographer nightmares. But within that group a few key players came together more often than most, including a contingent which had escaped South Africa's apartheid. Harry Miller was one such artist, an in-demand bassist who appeared on albums by King Crimson, saxophonist Elton Dean's Ninesence and pianist Chris McGregor's Brotherhood of Breath. Miller is underrepresented as a leader, so Which ...
Continue ReadingThe 21st Century Guide to King Crimson: Volume One 1969-1974
by John Kelman
Of all the groups to emerge from the late '60s-early '70s heyday of British Progressive Rock (capitals fully intended), no group has reinvented itself more frequently and, perhaps, more rapidly than King Crimson. As time has gone on the group's ostensible leader Robert Fripp has refashioned the group through periods of high melodrama to nuevo metal and just about everything in between. Until recently, new fans who wanted an overview of the band had to satisfy themselves with the 4-CD ...
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