Home » Jazz Articles » Gonçalo Almeida
Jazz Articles about Gonçalo Almeida
The Attic & Eve Risser: La Grande Crue
by Glenn Astarita
The Attic & Eve Risser's La Grande Crue is a multi-directional ride through the world of free jazz, featuring the talents of Rodrigo Amado on tenor saxophone, Gonçalo Almeida on bass, Onno Govaert on drums and French pianist Eve Risser. The Attic, renowned for its intuitive and spontaneous style, welcomes Risser into its musical ecosystem, crafting a dynamic and provocative album that unfolds across four extended works. The album commences with “Corps," a track anchored by a somber ...
Continue ReadingLuis Vicente Trio: Come Down Here
by Glenn Astarita
The Luis Vicente Trio's Come Down Here is a bold exploration of free jazz that morphs pure improvisation with hints of conventional structure. While it may not aspire to be a masterpiece, it offers an engaging and often exhilarating journey into the unpredictable realms of spontaneous musical creation. From the opening notes of the title track, Vicente's trumpet leads with fearless energy, charting a course through uncharted sonic territories. He is joined by Gonçalo Almeid on bass and ...
Continue ReadingThe Attic—Rodrigo Amado / Gonçalo Almeida / Onno Govaert: Love Ghosts
by John Sharpe
Portuguese tenor saxophonist Rodrigo Amado has steadily become one of the premier players in the European free jazz arena, having banked the experience that comes through working with the likes of multi-instrumentalist Joe McPhee, trumpeter Peter Evans and pianist Alexander von Schlippenbach, reaping a rich dividend. Just how can be readily heard on Love Ghosts, the third release by the co-operative trio The Attic, where he is joined by fellow countryman bassist Gonçalo Almeida and Dutch drummer Onno Govaert, a ...
Continue ReadingThe Attic: Love Ghosts
by Troy Dostert
Portuguese tenor saxophonist Rodrigo Amado maintains a busy recording schedule, involving dates with heavy-hitters like Joe McPhee, Alexander von Schlippenbach and Peter Evans, in addition to his own lineups, which do not always generate the same kind of buzz. One of his relatively under-recognized groups is The Attic, an outfit which includes bassist Gonçalo Almeida and drummer Onno Govaert. Their Summer Bummer (NoBusiness, 2019) was a superb live recording, putting the focus squarely on Amado, who is an excellent colleague ...
Continue ReadingSpinifex: Beats The Plague
by Mark Corroto
Finally, a band of brothers retaliates against the coronavirus. The scientists and the anti-vax antipodes have had their day. Time for some partisan guerrilla action. Okay, maybe just a pipe dream, but these nine tracks by the Amsterdam based Spinifex deliver a much needed counterattack to this diabolical infective agent. Recorded in June of 2021, Beats The Plague is the band's seventh release. It follows Soufifex (TryTone, 2019) where the band looked East for inspiration from Sufi music. ...
Continue ReadingLuis Vicente Trio: Chanting In The Name Of
by Glenn Astarita
All-world jazz man, world music maker and fierce improvisational drummer Hamid Drake penned venerating liners for this album led by the always in demand Portuguese trumpeter Luis Vicente and his trio. And Drake's correlations with estimable Sufi mystic and teacher Hazrat Inayat Khan's view that music is life, and a means of discovery that parallels the harmony of the entire universe among relationships with nature and other pleasurable perceptions is spot on. Hence, the trio attains a symbiosis, rooted in ...
Continue ReadingRitual Habitual: Pagan Chant
by Mark Corroto
All great music, at least in the jazz and improvisation world, shares a resonance of back to the future. Call it a placeholder, or flag planted so listeners can find their way, not only back, but forward. The trio Ritual Habitual plants that flag with Pagan Chant as an invitation to accompany them on a journey into a future's past. Theirs is a straightforward trio (reeds/bass/drums) with the intention to carry forward the past on their self constructed rocket ship. ...
Continue Reading
