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Jazz Articles about Gard Nilssen

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Live Review

Jazzfestival Saalfelden 2022

Read "Jazzfestival Saalfelden 2022" reviewed by Stefano Merighi


Jazzfestival Saalfelden 2022 Saalfelden, Austria 18-21.8.2022 Spesso i lettori si abituano a leggere in diversi report sulla scena jazzistica accenni alla “scena scandinava," come se questa fosse un monolite che si aggira nel più ampio panorama afro-euro-americano. In realtà questa scena è policroma, polifonica, può far interagire i suoi elementi come farli brillare in progetti individuali. Come è stato dimostrato nella recente edizione del festival di Saalfelden, che ha acceso molti dei suoi riflettori su di ...

3
Radio & Podcasts

A Mix Of New And Old

Read "A Mix Of New And Old" reviewed by Bob Osborne


This week a mix of brand new releases and classic recordings. There are fascinating new albums from Gard Nilssen, Steve Tibbetts, Daniel Carter with Evan Strauss, 5-Track, and Sheridan Riley, Alex Fournier, Trevor Watts & Liam Genocky, and, Brian Eaton. I also have some older releases from Elvin Jones, Pharoah Sanders, Clifford Jordan, Maria Schneider and Oliver Lake.Playlist Show Intro 00:00 Gard Nilssen Acoustic Unity “Altaret" from Elastic Wave (ECM) 00:54 Steve Tibbetts “Full Moon Dogs" from Hellbound ...

10
Album Review

Gard Nilssen Acoustic Unity: Elastic Wave

Read "Elastic Wave" reviewed by Chris May


The last time we heard from Norwegian drummer Gard Nilssen as a leader was with his Supersonic Orchestra—a three-drummer, three-bassist behemoth whose 2020 album, If You Listen Carefully The Music Is Yours (Odin), proved that, contrary to the precedent set by Stan Kenton, it is possible to assemble a big band packing Death Star-level ordnance which nevertheless allows for subtlety, agility and humanity. Extraordinarily prolific, Nilssen has since 2007 recorded over seventy albums, a fair few of ...

10
Album Review

Rodrigo Amado Northern Liberties: We Are Electric

Read "We Are Electric" reviewed by John Sharpe


Portuguese saxophonist Rodrigo Amado hits the jackpot with the debut by his Northern Liberties quartet. He's found gifted collaborators in the Norwegian threesome of trumpeter Thomas Johansson, drummer Gard Nilssen and bassist Jon Rune Strøm. Amado's preferred domain is muscular free jazz. It's territory he's thoroughly explored with his Motion Trio, supplemented by guests like trumpeter Peter Evans and pianist Alexander von Schlippenbach, and with his This Is Our Language band with Joe McPhee. While the Scandinavian ...

10
Album Review

Rodrigo Amado Northern Liberties: We Are Electric

Read "We Are Electric" reviewed by Mark Corroto


The predicament with modern albums is that an album is often more than just one album. With the advent of streaming music, and compact discs before it, music expands beyond the unit we traditionally designated as side one or side two of an LP. A perfect example of this concept is We Are Electric by the Portuguese-Norwegian collaboration Rodrigo Amado Northern Liberties. Three of the four tracks here could easily be considered a freestanding LP side and, if that were ...

9
Album Review

Rodrigo Amado Northern Liberties: We Are Electric

Read "We Are Electric" reviewed by Troy Dostert


By all accounts, 2021 was a very good year for Rodrigo Amado. One of the leading lights of the Portuguese avant-garde, the indefatigable tenor saxophonist first released The Field (NoBusiness), featuring his Motion Trio (with cellist Miguel Mira and drummer Gabriel Ferrandini) alongside guest pianist Alexander von Schlippenbach, and Let the Free Be Men (Trost), with his now-frequent collaborators saxophonist Joe McPhee, bassist Kent Kessler and drummer Chris Corsano. But if these two albums come to overshadow We Are Electric, ...

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Album Review

Cortex: Legal Tender

Read "Legal Tender" reviewed by Mark Corroto


The Norwegian quartet Cortex answers the question, what would have happened if the Wynton Marsalis and Branford Marsalis, had advanced the jazz canon instead of looking backwards for inspiration. Remember when the two young lions burst onto the scene in the 1980s with their self-righteous mission to save jazz? They did so by stuffing it, much like a taxidermist, to preserve an endangered species. Their neocon approach actually can make us grateful for bands like Cortex with their inclinations to ...


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