Jazz Articles about Fred Lonberg-Holm

Motland / Lonberg-Holm / Solberg / Gjerstad: VCDC

by Eyal Hareuveni
November 4, 2011

This unconventional quartet is comprised of Frode Gjerstad, fellow Norwegians and citizens of the Norwegian reeds hero's hometown, Stavanger, vocalist Stine Janvin Motland and drummer Ståle Liavik Solberg (known also as the MotSol duo, for whom Gjerstad produced the debut, Strap on (FMR, 2006)). Frequent Gjerstad collaborator, Chicago-based cellist Fred Longberg-Holm, rounds out the quartet, his last collaboration with the reed player, Sugar Maple, together with Chicago drummer Michael Zerang, released by FMR in 2010. Even though ...

Fred Lonberg-Holm Trio: Other Valentines

by AAJ Staff
June 5, 2005

Cellists are few and far between in the jazz world, which is just one reason Fred Lonberg-Holm is special. His approach to the instrument is decidedly non-classical, reaping as it does all sorts of alternative tonal colors that would be deemed “incorrect," which makes it ideal for the sort of in-and-out improvisation that he favors. Lonberg-Holm has called Chicago home since the late '90s, and in the last few years he's built up important relationships with several local players, including ...

Fred Lonberg-Holm: Dialogs

by Clifford Allen
December 6, 2004

The list of truly formidable improvising cellists is rather short, for its perceived role as a classical instrument keeps it, like the French horn, out of the traditional jazz ensemble. Fred Katz, Ron Carter, Calo Scott, Joel Freedman, Abdul Wadud, Ernst Reijseger and Fred Lonberg-Holm are the most visible among the ranks, and the latter two are particularly notable for being galvanizing forces among their respective communities of musicians. Lonberg-Holm has, as a result of his extraordinarily varied ...

Fred Lonberg-Holm: A Valentine For Fred Katz

by Mark Corroto
December 2, 2002

Jazz cellist Fred Lonberg-Holm pays tribute on this Valentine to his predecessor, the composer/arranger Fred Katz. Just as Katz did with Chico Hamilton's bands of the 1950's, Lonberg-Holm proves the cello doesn't have to be the redheaded stepchild of the double bass. Katz, a classically trained cellist and student of Pablo Casals, plied his craft in settings from cool jazz to the outward reaches of Eric Dolphy and Ken Nordine's spoken-word jazz.

Lonberg-Holm followed a similar path through ...