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Jazz Articles about Fareed Haque


About Fareed Haque

6

Extended Analysis

Fareed Haque: Out of Nowhere

Read "Fareed Haque: Out of Nowhere" reviewed by Chris M. Slawecki

by Chris M. Slawecki

Fareed Haque is quite clear about the impact of guitarist Pat Martino on his own playing: “He is my inspiration in jazz guitar. And if I have a mission, it's to blend the John McLaughlin world with the Pat Martino world. Every guitarist, every musician, is a synthesis of the history. So if you want to understand Pat Martino, you've got to listen to Jimmy Smith and Grant Green. And if you want to understand me, you've got to listen ...

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295

Album Review

Garaj Mahal: Woot

Read "Woot" reviewed by Ian Patterson

by Ian Patterson

Garaj Mahal is a strange and colorful bird. It's music draws heavily from '70s fusion, with elements of everything from the Mahavishnu Orchestra and Return to Forever to Weather Report, as well as progressive rock bands in the broadest sense of the term. To this already potent mix where, needless to say, high octane musicianship is par for the course are added elements of funk, jazz, and a certain melodic quality vaguely reminiscent of the Grateful Dead.

Garaj ...

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449

Album Review

The Fareed Haque Group: Cosmic Hug

Read "Cosmic Hug" reviewed by John Kelman

by John Kelman

When guitarist Fareed Haque first came onto the scene in the late '80s, he revealed his impressive technique and placed diverse musical interests, including classical and Indian music, within a more improvisational jazz context. It seemed as though he'd be the next big thing. With a melodic sensibility that brought to mind certain elements of Pat Metheny, along with the blinding technique of an Al Di Meola (albeit more restrained and, consequently, less bombastic), it just seemed like a sure ...

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211

Album Review

David Sanborn: Inside

Read "Inside" reviewed by Ian Nicolson

by Ian Nicolson

Since the days when he left his hometown St Louis to play for the Butterfield Blues Band during the sixties Blues boom in California, Sanborn has worked hard at staying top dog among the LA studio sessioneers - and succeeded.He has also commuted effortlessly between sophisticated Jazzpop solo albums stressing his distinctive alto tone and R'n'B roots, and the occasional full-ahead Jazz outing - like 1990's Another Hand, or Upfront a year or two later. This time he's ...

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