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Janette Mason: ReWired
by Neil Duggan
Rewired is an acoustic trio album from the highly versatile pianist Janette Mason. She has proved to be a standout performer across jazz, pop and rock genres, having worked with Oasis, Robert Wyatt, Seal and Pulp. She is accompanied by her equally adaptable long-time collaborators: bassist Tom Mason (Lizz Wright, Jamie Cullum) and drummer Eric Ford (Partikel, Ronnie Laws). Together they cover songs from the 1940s to the present day. Mason arranged and co-produced the songs, which all ...
Continue ReadingPatrick Naylor: Organza
by Anastasia Bogomolets
Organza from Patrick Naylor, David Beebee and Eric Ford reimagines the classic guitar-organ trio. With Beebee on Hammond organ, Ford on drums and Naylor on guitar, the album includes six original compositions by Naylor and two by Beebee. These tracks showcase the strong musical chemistry between the two, who have been creating music together since their school days. Over the course of eight tracks, Naylor's guitar weaves a silky, melodic presence that carries the listener on an atmospheric ...
Continue ReadingEmil Viklicky / Imogen Ryall: Songs
by Neil Duggan
In addition to being highly regarded as a classical composer, Czech pianist and composer Emil Viklický has been a significant presence on the international jazz scene for over 50 years. His jazz compositions, often influenced by Moravian folk songs, have seen him perform and record in the company of such significant artists as Bobby Wellins, Bill Frisell, Wynton Marsalis, Billy Hart, Herbie Hancock and fellow countryman Miroslav Vitouš. He composed all the music on Songs, with the exception of one ...
Continue ReadingImogen Ryall: Imogen Ryall Sings the Charles Mingus / Joni Mitchell Songbook
by Neil Duggan
In 1976, bassist Charles Mingus was suffering from a degenerative condition which had left him part-paralysed and unable to play or compose in a conventional manner. He still had a mind full of musical ideas so needed a collaborator. He had become aware of Joni Mitchell and thought she might be the right choice. For her part, Mitchell had gradually been escaping the confines of her folky image, flirting with jazz structures in her albums and saw an opportunity to ...
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