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Jazz Articles about Eric Alexander

33
Album Review

Bernie Senensky: Moment to Moment

Read "Moment to Moment" reviewed by Jack Bowers


Canadian pianist Bernie Senensky's latest album, Moment to Moment, encompasses two quartet sessions recorded almost twenty years apart: the first in 2001, the second (live) in 2020. While the rhythm sections differ on each, the one constant (aside from Senensky) is the acclaimed tenor saxophonist Eric Alexander. If you are planning to have only one constant, Alexander is by any measure a superlative choice. Alexander, whose solos are models of creativity and eloquence, seems to light a ...

6
Album Review

Bernie Senensky: Moment to Moment

Read "Moment to Moment" reviewed by Pierre Giroux


Bernie Senensky is a nuanced and adaptable pianist. Throughout his career he has shown an unparalleled improvisational approach to the material he chooses that crosses borders and generations. In this current release, entitled Moment to Moment, the music comes from two performance opportunities, from 2001 and 2020, and is anchored simultaneously historically and from the future. Joining Senensky in this back-to-the-future encounter are tenor saxophonist {[Eric Alexander}}, bassists Kieran Overs and Dave Young, as well as drummers Joe Farnsworth and ...

4
Liner Notes

David Hazeltine: Inversions

Read "David Hazeltine: Inversions" reviewed by C. Andrew Hovan


It's often said that those with enviable skills make the most sophisticated actions look easy. Be it glass blowing or ice-skating, what appears to be within the grasp of the novice often involves an underlying complexity not readily apparent at first. The same could be said of higher forms of music such as classical and jazz. What might seem simplistic or straightforward on the surface, actually involves a highly refined degree of mastery that's akin to a magician's flick of ...

1
Liner Notes

David Hazeltine: Blues Quarters, Vol.2

Read "David Hazeltine: Blues Quarters, Vol.2" reviewed by C. Andrew Hovan


A lot of water has passed under the proverbial bridge since the last time that David Hazeltine got together with Eric Alexander for the initial 1998 session billed as Blues Quarters Vol.1 (Criss 1188). As strong a showing as the pianist and his cohorts made on that initial release, I think all would agree this latest incarnation is even better, imbued with a maturation and musical camaraderie that has further developed due to countless numbers of gigs undertaken in the ...

6
Liner Notes

Anthony Wonsey: The Thang

Read "Anthony Wonsey: The Thang" reviewed by C. Andrew Hovan


Wisdom, it is often said, comes with age and experience. This axiom has special relevance for those who pursue excellence in the arts. Whether painters, dancers, or composers, the true creators have found that it takes time and patience to develop a singular voice. Youth seems to bring with it a desire to put technique at the fore, but those with more experience know that true originality starts when an artist utilizes his abilities to channel the spirit of the ...

2
Album Review

Mike LeDonne: The Heavy Hitters

Read "The Heavy Hitters" reviewed by Mike Jurkovic


Homing in on the electric, ancestral vibe of Rudy Van Gelder's house of musical myth and magic in Englewood Cliffs, New Jersey, the Heavy Hitters, spearheaded by journeyman pianist Mike LeDonne and well-traveled saxophonist, Eric Alexander, approach this eponymous debut with a ballsy, brassy, big sounding blueprint which carries through the entire recording. In deciding who best to share Van Gelder's hallowed space with, LeDonne and Alexander brought in the big guns--namely trumpeter Jeremy Pelt, alto saxophonist Vincent ...

5
Album Review

Mike LeDonne: The Heavy Hitters

Read "The Heavy Hitters" reviewed by Pierre Giroux


There was a period back in the middle years of the 20th Century and beyond when All-Star Groups were quite common, including the Buck Clayton All-Stars, Howard Rumsey's Lighthouse All-Stars, and Gene Harris and the Phillip Morris Superband among several other similar aggregations. In today's musical environment, this kind of coming together of high profile musicians is exceedingly rare, primarily driven by cost issues, although availability of the musicians is also a limiting factor. Pianist & organist Mike LeDonne was ...


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