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Emilio Solla & The Tango Jazz Conspiracy: Bien Sur!
by Dan Bilawsky
"Tango Jazz," like virtually every other genre-descriptor, is a convenient tag used to categorize what, ultimately, is better understood through listening. Emilio Solla, along with musicians like Pablo Aslan and Pablo Ziegler, are at the forefront of this style. Solla says it best when he explains that the tango" portion of the title usually refers to the Argentinean origins of the musicians in question, and the jazz" label addresses the improvisational elements within. Regardless of what it all really means, ...
Continue ReadingEmilio Solla y Afines: Conversas (al Lado Del Agua)
by AAJ Italy Staff
Guardando la formazione, che prevede un bandoneon, ed il titolo della prima traccia, avevo temuto l'ennesimo album di tanghi e milonghe. Generi apprezzabilissimi ma insomma... ormai si sta esagerando. In realtà la musica di questo gruppo spagnolo in gita newyorkese è un album prettamente jazzistico, a tratti fin troppo prevedibilmente jazzistico (la quinta traccia), ma comunque non privo di spunti di interesse. La delicatezza di Bat Gorkaren Tzat", ad esempio, o l'ironia di Remain Alert", chiaro riferimento agli ossessivi messaggi ...
Continue ReadingEmilio Solla's Tango Jazz Project at Smalls, NYC
by James Nichols
Emilio Solla's Tango-Jazz Project Smalls New York City April 28, 2007
On the weekend of April 28, Emilio Solla brought a heady blend of jazz and distinctly Argentinian music to the intimate setting of Smalls in the West Village. At Smalls most of the seats are the standard issue kitchen chairs, and there really is no stage. The effect is one of simplicity and charm complemented by warmth and enhanced intimacy due to the ...
Continue ReadingEmilio Solla Y Afines: Sentido
by Dan McClenaghan
Emilio Solla's music marries Argentinian tango and folklore sensibilities with American jazz and the sounds of Spain and, in the case of Llegara, Llegara, Llegara," the stunningly beautiful fifteen minute opener on Sentido , the rhythms of Uruguay.No music comes to us in a vacuum, of course, and of note here are the CDs that the sounds of Solla's latest bring to mind: Maria Schneider's recent near masterpiece, Concert in the Garden , and Wayne Shorter's much top ...
Continue ReadingEmilio Solla y Afines: Sentido
by Joshua Weiner
Every once in a while appears music of such accomplishment and beauty that it completely transcends boundaries of style or culture to become (if it is not an oxymoron) an instant classic. Sentido, the gorgeous new record by Argentinean pianist Emilio Solla and his group Afines, contains such music. Forget, for the moment, that is part of Fresh Sound's World Jazz" imprint, and that it incorporates many aspects of South American folk music; world" or no, this is simply one ...
Continue ReadingEmilio Solla y la Orquestrable: Suite Piazzollana
by Dan McClenaghan
If you haven't developed a taste for the tango, a love for the gentle sighing breeze of the squeezebox, then Emilio Solla's Suite Piazzollana might seem to be inhabiting a space out in music's left field. The musical pallet, for the American ear, is a bit unusual: two saxophones, trumpet, cello, violin, bandoneon, bass, drums, and cajon y tinaja (percussion), and Emilio Solla's piano. For those not familiar with the bandoneon (Astor Piazzolla's instrument; more later), it is ...
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